Composing community in late medieval music self-reference, pedagogy, and practice /
Hatter, Jane D.,
Composing community in late medieval music self-reference, pedagogy, and practice / [electronic resource] : Jane D. Hatter. - 1 online resource (302 p.). - Music in context . - Music in context. .
Description based upon print version of record.
Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Examples; List of Figures; List of Tables; Acknowledgments; Note to the Reader; Introduction; Part I Music about Musicians; 1 From Paintings about Painters to Music about Musicians; 2 Miserere supplicanti Du Fay: Building Community through Musical Devotions at Cambrai Cathedral; 3 Ora pro nobis: Forms of Self-Reference in Musical Prayers for Musicians; 4 Plorer, gemir, crier: Musical Mourning and the Composer; Part II Music about Music; 5 Paintings about Painting and Music about Music-Making 6 Simple Lessons? Music Theory as Emblem of Composition7 Constructing the Composer: Symbolic Use of the Hexachord in Compositions c. 1500; 8 Conclusion; Sources and Sigla; Appendix A Music about Music and Musicians; Appendix B Sixteenth-Century Masses Based on the Hexachord; Bibliography; Index
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
1108575803 9781108575805
Music--History and criticism.--15th century
Music--History and criticism.--16th century
Musicians--Songs and music--History and criticism.
MUSIC / Genres & Styles / Classical.
MUSIC / Reference.
Electronic books.
ML172
780.9/031
Composing community in late medieval music self-reference, pedagogy, and practice / [electronic resource] : Jane D. Hatter. - 1 online resource (302 p.). - Music in context . - Music in context. .
Description based upon print version of record.
Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Examples; List of Figures; List of Tables; Acknowledgments; Note to the Reader; Introduction; Part I Music about Musicians; 1 From Paintings about Painters to Music about Musicians; 2 Miserere supplicanti Du Fay: Building Community through Musical Devotions at Cambrai Cathedral; 3 Ora pro nobis: Forms of Self-Reference in Musical Prayers for Musicians; 4 Plorer, gemir, crier: Musical Mourning and the Composer; Part II Music about Music; 5 Paintings about Painting and Music about Music-Making 6 Simple Lessons? Music Theory as Emblem of Composition7 Constructing the Composer: Symbolic Use of the Hexachord in Compositions c. 1500; 8 Conclusion; Sources and Sigla; Appendix A Music about Music and Musicians; Appendix B Sixteenth-Century Masses Based on the Hexachord; Bibliography; Index
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
1108575803 9781108575805
Music--History and criticism.--15th century
Music--History and criticism.--16th century
Musicians--Songs and music--History and criticism.
MUSIC / Genres & Styles / Classical.
MUSIC / Reference.
Electronic books.
ML172
780.9/031