The Bloomsbury handbook of sonic methodologies / edited by Michael Bull and Marcel Cobussen.
Material type: TextSeries: Bloomsbury handbooksPublisher: New York, NY : Bloomsbury Academic, 2021Description: 1 online resource (xx, 828 pages)Content type:- text
- computer
- online resource
- 1501338765
- 9781501338786
- 1501338781
- 9781501338779
- 1501338773
- 9781501338762
- Sonic methodologies
- 534 23
- QC226 .B46 2021
Includes bibliographical references and index.
"An interdisciplinary overview of the variety of sonic methodologies used by sound scholars and artists based on contemporary theories and empirical analyses"-- Provided by publisher.
Cover -- Contents -- List of Illustrations -- List of Contributors -- Introduction Michael Bull and Marcel Cobussen -- Part I Disciplines, Methodologies, Epistemologies -- 1 Introduction to Part I: Sounds Inscribed onto the Face -- Rethinking Sonic Connections through Time, Space, and Cognition Michael Bull -- 2 Sonic Methodologies in Anthropology Alexandrine Boudreault-Fournier -- 3 Sonic Methodologies by Way of Deconstruction Naomi Waltham-Smith -- 4 Nature's Music: Sonic Methodologies in the Study of Environmental Biology Wouter Halfwerk
5 Hearing With: Researching the Histories of Sonic Encounter James G. Mansell -- 6 Sonic Methodologies in Urban Studies Christabel Stirling -- 7 Sound and Pedagogy: Taking Podcasting into the Classroom Neil Verma -- 8 Sonic Methodologies in Literature Justin St. Clair -- 9 Sonic Materialism and/as Method Tyler Shoemaker -- 10 Sonic Methodology in Philosophy Elvira Di Bona -- 11 Sonic Methodologies in Science and Technology Studies Joeri Bruyninckx and Alexandra Supper -- 12 The Sonic Environment in Urban Planning, Environmental Assessment and Management A. Lex Brown
13 Sonic Methodologies in Medicine Jos J. Eggermont -- 14 Soundscape as Methodology in Psychoacoustics and Noise Management Andr�e Fiebig and Brigitte Schulte-Fortkamp -- 15 Sonic Methodologies of Sound Salom�e Voegelin -- Part II Sound Arts, Musics, Spaces -- 16 Introduction to Part II: Art -- Research -- Method Marcel Cobussen -- 17 Ambulatory Sound-Making: Rewriting, Reappropriating, 'Presencing' Auditory Spaces Elena Biserna -- 18 Sound Installations for the Production of Atmosphere as a Limited Field of Sounds Jordan Lacey
19 Fragile Devices: Improvisation as an Interdisciplinary Research Methodology Rebecca Caines -- 20 'The Music Comes from Me': Sound as Auto-Ethnography Darla Crispin -- 21 Sound beyond Representation: Experimental Performance Practices in Music Lucia D'Errico -- 22 Performing Centrifugal Sound G Douglas Barrett -- 23 How to Cut Up a Record? Paul Nataraj -- 24 Directing Listening: Sound Design Methods from Film to Site-Responsive Sonic Art Ben Byrne -- 25 Sound, Space, and Pneumatic Valves: Using Pneumatic Valves as Sound Sources to Create Spatial Environments Edwin van der Heide
26 The Overheard: An Attuning Approach to Sound Art and Design in Public Spaces Marie H�jlund, Jonas R. Kirkegaard, Michael Sonne Kristensen, and Morten Riis -- 27 Sound on Sound: Considerations for the Use of Sonic Methods in Ethnographic Fieldwork inside the Recording Studio Paul Thompson -- 28 Ecological Sound Art Jonathan Gilmurray -- 29 Hydrophonic Fields Jana Winderen interviewed by Stefan Helmreich -- 30 Melt Me into the Ocean: Sounds from Submarine Spaces Yolande Harris
Description based on online resource; title from digital title page (viewed on December 11, 2020).
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