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Caribes 2.0 : new media, globalization and the afterlives of disaster / Jossianna Arroyo.

By: Material type: TextTextSeries: Global media and racePublisher: New Brunswick : Rutgers University Press, [2023]Description: 1 online resource (v, 189 pages) : illustrations (chiefly color)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781978819764
  • 1978819765
Other title:
  • Caribes two point zero
Subject(s): Additional physical formats: Print version:: Caribes 2.0.DDC classification:
  • 972.9 22
LOC classification:
  • F2169 .A77 2023eb
Online resources:
Contents:
Caribbean mediascapes : After the image -- Enacting others : Blackface, brownface, and Caribbean selves -- Ratchetness and vlogging the self -- Cities of the dead : Performing life in the Caribbean -- Indebted citizenships and afterlives of disaster
Summary: "In Caribes 2.0, author Jossianna Arroyo looks at the Caribbean mediasphere in the 21st century. Arroyo argues that we have seen a return to tropes such as blackface, brownface, cultural and ethnic stereotypes, and violent representations of the poor, the marginalized, and the racialized. Caribes 2.0 looks at these tropes as well as the work of writers, vloggers, performers, and photographers that have become media figures or have used new media platforms to promote their work and examines how they are challenging and negotiating these media representations. It analyzes contemporary Caribbean cultures to discuss, taste, guides, and actions (social and virtual) that shape Caribbean global communities today. Departing from Edouard Glissant's insight that "Caribbean reality might not be accessed by remote control" the book considers what types of political and social agencies are created by mediation. Caribes 2.0 deviates from these historical-globalized views of subjected, colonized Caribbean bodies, and their material conditions, to examine the relationship between the local and the global in contemporary Caribbean cultures, and the role that media is playing in the invisibility or hyper-visibilty of Caribbean cultures in the islands and the U.S. diaspora"-- Provided by publisher.
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Includes bibliographical references and index.

"In Caribes 2.0, author Jossianna Arroyo looks at the Caribbean mediasphere in the 21st century. Arroyo argues that we have seen a return to tropes such as blackface, brownface, cultural and ethnic stereotypes, and violent representations of the poor, the marginalized, and the racialized. Caribes 2.0 looks at these tropes as well as the work of writers, vloggers, performers, and photographers that have become media figures or have used new media platforms to promote their work and examines how they are challenging and negotiating these media representations. It analyzes contemporary Caribbean cultures to discuss, taste, guides, and actions (social and virtual) that shape Caribbean global communities today. Departing from Edouard Glissant's insight that "Caribbean reality might not be accessed by remote control" the book considers what types of political and social agencies are created by mediation. Caribes 2.0 deviates from these historical-globalized views of subjected, colonized Caribbean bodies, and their material conditions, to examine the relationship between the local and the global in contemporary Caribbean cultures, and the role that media is playing in the invisibility or hyper-visibilty of Caribbean cultures in the islands and the U.S. diaspora"-- Provided by publisher.

Caribbean mediascapes : After the image -- Enacting others : Blackface, brownface, and Caribbean selves -- Ratchetness and vlogging the self -- Cities of the dead : Performing life in the Caribbean -- Indebted citizenships and afterlives of disaster

Print version record.

Added to collection customer.56279.3

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