The Portuguese Restoration of 1640 and Its Global Visualization : Political Iconography and Transcultural Negotiation / Urte Krass.
Material type: TextSeries: Visual and material culture, 1300-1700Publisher: Amsterdam : Amsterdam University Press, [2023]Description: 1 online resource (562 pages) : illustrationsContent type:- text
- computer
- online resource
- 9048551757
- 9789048551750
- Art -- Political aspects -- Portugal -- History -- 17th century
- Portugal -- History -- Revolution, 1640
- History of art and design styles: c 1400 to c 1600
- Material culture
- ART / History / Renaissance
- HISTORY / Renaissance
- HISTORY / Europe / Spain & Portugal
- Paintings and painting
- Prints and printmaking
- Material culture
- History, Art History, and Archaeology
- HIS
- Art and Material Culture
- ART & MAT
- Early Modern Studies
- EARLY MOD
- Global art history, political iconography, Early Modern History, Portuguese Restoration, visual studies, political history
- 709.469 23/eng/20230816
- 946.9032 23/eng/20230731
- N7126 .K73 2023
- N72.P6
"Amsterdam University Press"
Introduction I. Signs, Miracles, and Conspiratorial Images II.The Lisbon Miracle of the Crucifix (1 December 1640) III. The New King's Oath (15 December 1640) IV. Acclamations V. Lisbon VI. Images in Diplomatic Service VII. The Imaculada as Portugal's Patroness VIII. The Funeral Apparatus of John IV (November 1656) IX. The Drawings in the Treatise of Ant�onio de S�ao Tiago (Goa 1659) X. Ivory Good Shepherds as Visualizations of the Portuguese Restoration Conclusion Bibliography Acknowledgements Picture Credits Index
The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents. These include paintings, engravings, a statue, coins, emblems, miniatures, a miraculous crosier and other regalia, buildings, textiles, a castrum doloris, drawings, and ivory statues. Situated within the academic field of visual studies, the book interrogates the role of images and depictions before, during, and after the overthrow and how they functioned within the intercontinental communication processes in the Portuguese Empire. The results challenge the conventional notion of center and periphery and reveal unforeseen entanglements as well as an unexpected agency of imagery from the remotest regions under Portuguese control. The book breaks new ground in linking the field of early modern political iconography with transcultural art history and visual studies.
Description based on online resource; title from digital title page (viewed on August 16, 2023).
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