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Shellac in visual and sonic culture : unsettled matter / Elodie A. Roy.

By: Material type: TextTextPublisher: Amsterdam : Amsterdam University Press, 2023Copyright date: �2023Description: 1 online resource (240 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9048553148
  • 9789048553143
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 667/.79 23/eng/20230918
LOC classification:
  • TP938 .R69 2023
Online resources:
Contents:
Cover -- Table of Contents -- Acknowledgements -- Introduction: From material culture to the materials of culture -- 1. Sheen: Early stories and circulation of shellac -- 2. Crackle: Assembling the record -- 3. Mirrors: Phono-fetishism and intersensory visions -- 4. Detonations: Shellac at war -- 5. Shards: Waste, obsolescence, and contemporary remediations -- Conclusion: Sonic sculptures -- Bibliography -- Index -- List of illustrations -- Figure 1: Shellac window display, India House, London, 1936. Author's picture. National Archives, UK.
Figure 2: Back of an oval mirror of black shellac, decorated with seated woman and cherub in front of a castle, nineteenth century. Science Museum Group Collection � The Board of Trustees of the Science Museum, London -- Figure 3: Industrial drawing of a gramophone record press designed by the Manchester firm Francis Shaw & Co. Author's collection. -- Figure 4: 'Le gramophone' ('The gramophone'), wood engraving by Jean-�Emile Laboureur, c. 1918-1921. Biblioth�eque nationale de France. -- Figure 5: Seven Chakras (Twice), Chris Dorsett, graphite over digital scans of recordings, 2011 � Chris Dorsett.
Summary: This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, "Shellac in Visual and Sonic Culture" insists on moments of contact, encounter, and transformation. The book notably addresses the colonial unconscious underpinning the early transnational recording industry, highlighting the multiple gestures and forms of labour entombed within the production of the 78rpm disc. Roy explores shellac as a concrete substance, as well as the malleable stuff of which stories, histories and modern imaginings were made - and unmade.
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Introduction: From material culture to the materials of culture Chapter 1. Sheen: Early stories and circulation of shellac Chapter 2. Crackle: Assembling the record Chapter 3. Mirrors: Phono-fetishism and intersensory visions Chapter 4. Detonations: Shellac at war Chapter 5. Shards: Waste, obsolescence, and contemporary remediations Conclusion: Sonic sculptures Index

This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, "Shellac in Visual and Sonic Culture" insists on moments of contact, encounter, and transformation. The book notably addresses the colonial unconscious underpinning the early transnational recording industry, highlighting the multiple gestures and forms of labour entombed within the production of the 78rpm disc. Roy explores shellac as a concrete substance, as well as the malleable stuff of which stories, histories and modern imaginings were made - and unmade.

Cover -- Table of Contents -- Acknowledgements -- Introduction: From material culture to the materials of culture -- 1. Sheen: Early stories and circulation of shellac -- 2. Crackle: Assembling the record -- 3. Mirrors: Phono-fetishism and intersensory visions -- 4. Detonations: Shellac at war -- 5. Shards: Waste, obsolescence, and contemporary remediations -- Conclusion: Sonic sculptures -- Bibliography -- Index -- List of illustrations -- Figure 1: Shellac window display, India House, London, 1936. Author's picture. National Archives, UK.

Figure 2: Back of an oval mirror of black shellac, decorated with seated woman and cherub in front of a castle, nineteenth century. Science Museum Group Collection � The Board of Trustees of the Science Museum, London -- Figure 3: Industrial drawing of a gramophone record press designed by the Manchester firm Francis Shaw & Co. Author's collection. -- Figure 4: 'Le gramophone' ('The gramophone'), wood engraving by Jean-�Emile Laboureur, c. 1918-1921. Biblioth�eque nationale de France. -- Figure 5: Seven Chakras (Twice), Chris Dorsett, graphite over digital scans of recordings, 2011 � Chris Dorsett.

Description based on online resource; title from digital title page (viewed on October 04, 2023).

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