TY - BOOK AU - Moody-Turner,Shirley TI - Black folklore and the politics of racial representation T2 - Margaret Walker Alexander Series in African American Studies SN - 9781617038860 AV - GR111.A47 M66 2013 U1 - 398.2089/96073 23 PY - 2013///] CY - Jackson PB - University Press of Mississippi KW - African Americans KW - Folklore KW - Race identity KW - Race KW - Social aspects KW - United States KW - Literature and folklore KW - Folklore in literature KW - African Americans in literature KW - Intellectual life KW - American literature KW - African American authors KW - History and criticism KW - Noirs am�ericains KW - Identit�e ethnique KW - Aspect social KW - �Etats-Unis KW - Litt�erature et folklore KW - Folklore dans la litt�erature KW - Noirs am�ericains dans la litt�erature KW - Vie intellectuelle KW - SOCIAL SCIENCE KW - Folklore & Mythology KW - bisacsh KW - fast KW - Criticism, interpretation, etc N1 - Includes bibliographical references and index; "By Custom and By Law" : Folklore and the Birth of Jim Crow -- From Hawai'i to Hampton : Samuel Armstrong and the Unlikely Origins of Folklore Studies at the Hampton Institute -- Recovering Folklore as a Site of Resistance : Anna Julia Cooper and the Hampton Folklore Society -- Uprooting the Folk : Paul Laurence Dunbar's Critique of the Folk Ideal -- "The Stolen Voice" : Charles Chesnutt, Whiteness, and the Politics of Folklore -- Conclusion N2 - Before the innovative work of Zora Neale Hurston, folklorists from the Hampton Institute collected, studied, and wrote about African American folklore. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. They often called into question the meaning of the very folklore projects in which they were engaged. The author analyzes this output, along with the contributions of a disparate group of African American authors and scholars. She explores how Black authors and folklorists were active participants - rather than passive observers - in conversations about the politics of representing Black folklore. Examining literary texts, folklore documents, and cultural performances, legal discourse, and political rhetoric, this book demonstrates how folklore studies became a battleground across which issues of racial identity and difference were asserted and debated at the turn of the twentieth century. The study is framed by two questions of historical and continuing import. What role have representations of Black folklore played in constructing racial identity? And, how have those ideas impacted the way African Americans think about and creatively engage black traditions? The author renders established historical facts in a new light and context, taking figures we thought we knew - such as Charles Chesnutt, Anna Julia Cooper, and Paul Laurence Dunbar - and recasting their place in African American intellectual and cultural history.--description provided by publisher UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=573319 ER -