TY  - BOOK
AU  - Hatter,Jane D.
TI  - Composing community in late medieval music: self-reference, pedagogy, and practice 
T2  - Music in context
SN  - 1108575803
AV  - ML172 
U1  - 780.9/031 23
PY  - 2019///
CY  - Cambridge, United Kingdom, New York, NY, USA
PB  - Cambridge University Press
KW  - Music
KW  - 15th century
KW  - History and criticism
KW  - 16th century
KW  - Musicians
KW  - Songs and music
KW  - MUSIC / Genres & Styles / Classical
KW  - bisacsh
KW  - MUSIC / Reference
KW  - Electronic books
N1  - Description based upon print version of record; Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Examples; List of Figures; List of Tables; Acknowledgments; Note to the Reader; Introduction; Part I Music about Musicians; 1 From Paintings about Painters to Music about Musicians; 2 Miserere supplicanti Du Fay: Building Community through Musical Devotions at Cambrai Cathedral; 3 Ora pro nobis: Forms of Self-Reference in Musical Prayers for Musicians; 4 Plorer, gemir, crier: Musical Mourning and the Composer; Part II Music about Music; 5 Paintings about Painting and Music about Music-Making; 6 Simple Lessons? Music Theory as Emblem of Composition7 Constructing the Composer: Symbolic Use of the Hexachord in Compositions c. 1500; 8 Conclusion; Sources and Sigla; Appendix A Music about Music and Musicians; Appendix B Sixteenth-Century Masses Based on the Hexachord; Bibliography; Index
N2  - An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2091082
ER  -