TY  - BOOK
AU  - Tashkiran,Ayse
TI  - Movement directors in contemporary theatre: conversations on craft 
T2  - Theatre Makers
SN  - 9781350054486
AV  - PN2053 .T385 2020eb
U1  - 792.92 23
PY  - 2020///
CY  - London, New York
PB  - Methuen Drama, Bloomsbury Publishing Plc
KW  - Theater
KW  - Production and direction
KW  - Theatrical producers and directors
KW  - Electronic books
KW  - Th�e�atre
KW  - Production et mise en sc�ene
KW  - Producteurs et metteurs en sc�ene de th�e�atre
KW  - Livres num�eriques
KW  - e-books
KW  - aat
KW  - Theatre direction & production
KW  - bicssc
KW  - Drama
KW  - General
KW  - bisacsh
KW  - Performing Arts
KW  - Direction & Production
KW  - Dance
KW  - Notation
KW  - fast
KW  - Movement (Acting)
KW  - nli
N1  - Intro -- Half-Title -- Series -- Title -- Contents -- Foreword -- Preface -- Acknowledgements -- Introduction -- 1 Early practitioners and practices -- 2 Themes -- 3 Jane Gibson -- 4 Sue Lefton -- 5 Kate Flatt -- 6 Toby Sedgwick -- 7 Si�an Williams -- 8 Struan Leslie -- 9 Ellen Kane -- 10 Peter Darling -- 11 Steven Hoggett -- 12 Ann Yee -- 13 Imogen Knight -- 14 Shelley Maxwell -- 15 Future voices -- 16 Beyond the room: Contexts and Structures -- Glossary -- References -- Further reading -- About the author -- Copyright
N2  - "When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side, for they are, and should be, their co-pilot, navigating and creating the world of the play. - Joan Iyiola Through a series of in-depth interviews with leading movement directors including Si�n Williams, Sue Lefton, Toby Sedgewick and Diane Alison-Mitchell, Ayse Tashkiran examines the processes of creativity, collaboration and innovation for the moving body in performance. The conversations open up: New areas of movement practice The role of the movement director The history of theatre practice and key practitioners Diverse movement approaches Similarities and differences between movement direction and choreography Potential future developments in the field The book contains forewords by Maria Aberg and Joan Iyiola."--
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ER  -