TY  - BOOK
TI  - Staged experiences
SN  - 1848883285
AV  - H41 
U1  - 300.3 23
PY  - 2019///
CY  - Leiden
PB  - Brill
KW  - Social sciences
KW  - Social Sciences
KW  - Sciences sociales
KW  - social sciences
KW  - aat
KW  - fast
KW  - Electronic book
N1  - Preliminary Material; Arthur Maria Steijn , Ana Penjak and Celia Morgan --; Hypnagogia and Imagination: Scenographic Constructions of Venice; Lilja Blumenfeld --; Language in Performance; Sadia Zoubir-Shaw --; Scenography as a Means for Youth Education and Creative Interaction in the 'Interactive Opera in Primary Schools' Research Project; Sofia Pantouvaki --; Life and Liveness: Using Film in the Theatre; Bilha Blum --; Imagined Spaces: Motion Graphics in Spatial Experience Design; Arthur Maria Steijn --; Costume Narrative: Recognition and Comprehension; Hilary Baxter --; From Lucile's Showroom to Ziegfeld's Stage: Fashion, Celebrity Culture and Theatrical Spectacle; Anne K. Reilly --; Brazilian Extravaganza and Social Consequences behind It: Men, Women and Drag Queens; Fausto Viana --; Costume Identity in the Globalised World; Rosane Muniz --; From Butoh to Butohs: Produits d'Autres Circonstances (2009) by Xavier Leroy and the Image Processing of a Body Practice; Catherine Girardin --; Hotel Pro Forma: The Demand for Flat Images in a Three-Dimensional Space; Maria Carneiro --; Drawing the Scene; Filipa Malva --; De-Signing for a Dancer/Choreographer's Visual Literacy; Helene Gee Markstein --; From Scenography to Narrative Environments; Ekavi-Louise Whitlock-Blundell --; Situated Vagrancy; Benedict Anderson --; From Abstraction to Performance: Three Moves through the Visual Traces; Adele Anderson --; Experience and Perception of the Audience: Momentums of Intimacy within Performance; Haya Cohen --; Imagining Absence: Performance in the Text; Ulla Kallenbach --; Hamlet Domesticus: Three Directors' Productions of Hamlet on the Modern Croatian Stage; Ana Penjak
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ER  -