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The cinema of disorientation : inviting confusions / Dominic Lash.

By: Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2020]Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474462792
  • 1474462790
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 791.43/6 23
LOC classification:
  • PN1995.9.D565 L37 2020
Online resources:
Contents:
Intro -- Title page -- Copyright -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Prospectus -- Part 1 Confusion as Fusion -- CHAPTER 1 Metalepsis in Film and Its Implications -- CHAPTER 2 Genres within Genres within Genres: Nested Narrative and Metalepsis -- CHAPTER 3 'Disappeared where it's real hard to disappear': Three Ways of Getting Lost in INLAND EMPI -- CHAPTER 4 Achieving Coherence: Diegesis and Death in Holy Motors -- Part 2 Disorientating Figures and Figures of Disorientation -- CHAPTER 5 Figuring (Out) Films: Figuration in Narrative Cinema
CHAPTER 6 Distinguishing the Indistinguishable: Figures of Imperceptibility and Impossibility in Los -- CHAPTER 7 Homes for Displaced Figures: Pedro Costa's Colossal Youth -- CHAPTER 8 Sink or Swim: Immersing Ourselves in Jean-Luc Godard's Adieu au langage -- Conclusion: Method-Free Orientation -- Appendix -- Notes -- Bibliography -- Filmography -- Index.
Summary: Examines disorientation and confusion, and their theoretical implications, in contemporary narrative film.
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Includes bibliographical references and index.

Intro -- Title page -- Copyright -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Prospectus -- Part 1 Confusion as Fusion -- CHAPTER 1 Metalepsis in Film and Its Implications -- CHAPTER 2 Genres within Genres within Genres: Nested Narrative and Metalepsis -- CHAPTER 3 'Disappeared where it's real hard to disappear': Three Ways of Getting Lost in INLAND EMPI -- CHAPTER 4 Achieving Coherence: Diegesis and Death in Holy Motors -- Part 2 Disorientating Figures and Figures of Disorientation -- CHAPTER 5 Figuring (Out) Films: Figuration in Narrative Cinema

CHAPTER 6 Distinguishing the Indistinguishable: Figures of Imperceptibility and Impossibility in Los -- CHAPTER 7 Homes for Displaced Figures: Pedro Costa's Colossal Youth -- CHAPTER 8 Sink or Swim: Immersing Ourselves in Jean-Luc Godard's Adieu au langage -- Conclusion: Method-Free Orientation -- Appendix -- Notes -- Bibliography -- Filmography -- Index.

Examines disorientation and confusion, and their theoretical implications, in contemporary narrative film.

Description based on online resource; title from digital title page (viewed on September 30, 2020).

Master record variable field(s) change: 050, 082, 650

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