Staged experiences / edited by Arthur Maria Stein, Ana Penjak, and Celia Morgan.

Preliminary Material / Arthur Maria Steijn , Ana Penjak and Celia Morgan -- Hypnagogia and Imagination: Scenographic Constructions of Venice / Lilja Blumenfeld -- Language in Performance / Sadia Zoubir-Shaw -- Scenography as a Means for Youth Education and Creative Interaction in the 'Interactive Opera in Primary Schools' Research Project / Sofia Pantouvaki -- Life and Liveness: Using Film in the Theatre / Bilha Blum -- Imagined Spaces: Motion Graphics in Spatial Experience Design / Arthur Maria Steijn -- Costume Narrative: Recognition and Comprehension / Hilary Baxter -- From Lucile's Showroom to Ziegfeld's Stage: Fashion, Celebrity Culture and Theatrical Spectacle / Anne K. Reilly -- Brazilian Extravaganza and Social Consequences behind It: Men, Women and Drag Queens / Fausto Viana -- Costume Identity in the Globalised World / Rosane Muniz -- From Butoh to Butohs: Produits d'Autres Circonstances (2009) by Xavier Leroy and the Image Processing of a Body Practice / Catherine Girardin -- Hotel Pro Forma: The Demand for Flat Images in a Three-Dimensional Space / Maria Carneiro -- Drawing the Scene / Filipa Malva -- De-Signing for a Dancer/Choreographer's Visual Literacy / Helene Gee Markstein -- From Scenography to Narrative Environments / Ekavi-Louise Whitlock-Blundell -- Situated Vagrancy / Benedict Anderson -- From Abstraction to Performance: Three Moves through the Visual Traces / Adele Anderson -- Experience and Perception of the Audience: Momentums of Intimacy within Performance / Haya Cohen -- Imagining Absence: Performance in the Text / Ulla Kallenbach -- Hamlet Domesticus: Three Directors' Productions of Hamlet on the Modern Croatian Stage / Ana Penjak.

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