Music theater and popular nationalism in Spain, 1880-1930 / Clinton D. Young.
Material type: TextPublication details: Baton Rouge : Louisiana State University Press, [2016]Description: 1 online resource (xiii, 237 pages)Content type:- text
- computer
- online resource
- 9780807161050
- 9780807161043
- 0807161047
- 0807161055
- Nationalism in music
- Musical theater -- Political aspects -- Spain -- History -- 19th century
- Musical theater -- Political aspects -- Spain -- History -- 20th century
- Zarzuela -- Spain -- 19th century
- Zarzuela -- Spain -- 20th century
- Musical theater -- Spain -- History -- 19th century
- Musical theater -- Spain -- History -- 20th century
- Nationalisme dans la musique
- Th�e�atre musical -- Aspect politique -- Espagne -- Histoire -- 19e si�ecle
- Th�e�atre musical -- Aspect politique -- Espagne -- Histoire -- 20e si�ecle
- Zarzuela -- Espagne -- 19e si�ecle
- Zarzuela -- Espagne -- 20e si�ecle
- Th�e�atre musical -- Espagne -- Histoire -- 19e si�ecle
- Th�e�atre musical -- Espagne -- Histoire -- 20e si�ecle
- HISTORY -- Europe -- Western
- Musical theater
- Nationalism in music
- Zarzuela
- Spain
- 1800-1999
- 782.10946/09034 23/eng/20240903
- ML1747 .Y68 2016
Print version record.
Includes bibliographical references (pages 211-227) and index.
Overture. Theater music and the problem of Spanish nationalism -- Theatrical and political revolutions in nineteenth-century Spain -- Urban life on the Spanish musical stage -- Staging history, staging national identity -- Regenerationism, Viennese operetta, and Spanish nationalism -- The romance of rural Spain and the failure of the restoration settlement -- Zarzuela and the operatic tradition -- Classicism and historicism.
From its earliest appearance in the mid-1600s, the lyric theater form of zarzuela captivated Spanish audiences with its witty writing and lively musical scores. Clinton D. Young's Music Theater and Popular Nationalism in Spain, 1880'1930 persuasively links zarzuela's celebration of Spanish history and culture to the development of concepts of nationalism and national identity at the dawn of the twentieth century. As a weak Spanish government focused its energy on preventing a recurrence of mid-nineteenth-century political upheavals, the project of articulating a national identity occurred at the popular level, particularly in cultural venues such as the theater. Zarzuela suited this aim well, depicting the lives of everyday citizens amid the rapidly changing norms brought about by industrialization and urbanization. It also integrated regional differences into a unified vision of Spanish national identity: a zarzuela performance set in Madrid could incorporate forms of music and folk dancing native to areas of the country as far distant as AndalucIa and Catalonia. A true 'music of the people' (mUsica popular), zarzuela offered its audiences an image of what a more modern Spain might look like. Zarzuela alone could not create a unified concept of Spanish identity, particularly with competition from new forms of mass culture and the rise of the Primo de Rivera dictatorship in the 1920s. Yet, as this riveting study shows, it made an indelible contribution to popular culture and nationalism. Young's history brings to life the stories, songs, and evolving contexts of a uniquely Spanish art form.
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