000			04466cam a2200721Ii 4500
001			on1091028997
003			OCoLC
005			20241121072734.0
006			m d
007			cr cnu|||unuuu
008			190401t20192019enk ob 001 0 eng d
040			_aN$T _beng _erda _epn _cN$T _dN$T _dYDX _dHTM _dLGG _dUAB _dCAMBR _dEBLCP _dOCLCF _dYDXIT
019			_a1089757973
020			_a9781108615761 _qelectronic book
020			_a1108615767 _qelectronic book
020			_a9781108550925 _qelectronic book
020			_a1108550924 _qelectronic book
020			_z9781108426381 _qhardcover
020			_z9781108445092 _qpaperback
035			_a2026056 _b(N$T)
035			_a(OCoLC)1091028997 _z(OCoLC)1089757973
050		4	_aML410.S15 _bM3 2019
072		7	_aMUS _x042000 _2bisacsh
072		7	_aMUS _x052000 _2bisacsh
072		7	_aMUS _x037110 _2bisacsh
082	0	4	_a782.1092 _223
049			_aMAIN
100	1		_aMacdonald, Hugh, _d1940- _eauthor. _910979
245	1	0	_aSaint-Sa�ens and the stage : _boperas, plays, pageants, a ballet and a film / _cHugh Macdonald.
264		1	_aCambridge, United Kingdom ; _aNew York, NY : _bCambridge University Press, _c2019.
264		4	_c�2019
300			_a1 online resource (xv, 432 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aCambridge studies in opera
504			_aIncludes bibliographical references and index.
520			_aThe stage works of Saint-Sa�ens range from grand open-air pageants to one-act comic operas, and include the first composed film score. Yet, with the exception of Samson et Dalila, his twelve operas have lain in the shadows since the composer's death in 1921. Widely performed in his lifetime, they vanished from the repertory - never played, never recorded - until now. With four twenty-first-century revivals as a backdrop, this timely book is the first study of Saint-Sa�ens's operas, demonstrating the presence of the same breadth and versatility as in his better known works. Hugh Macdonald's wide knowledge of French music in the nineteenth century gives a powerful understanding of the different conventions and expectations that governed French opera at the time. The interaction of Saint-Sa�ens with his contemporaries is a colourful and important part of the story.
505	0		_aCover; Half-title page; Series page; Frontispiece; Title page; Copyright page; Dedication; Contents; List of Illustrations; Preface; 1 Preparations for Opera: Le Martyre de Vivia, Le Duc de Parme; 2 Le Timbre d'argent; 3 Samson et Dalila; 4 La Princesse jaune; 5 �Etienne Marcel; 6 Henry VIII; 7 Gabriella di Vergy, Proserpine; 8 Ascanio; 9 La Crampe des �ecrivains, Phryn�e; 10 Antigone, Fr�ed�egonde; 11 Javotte, D�ejanire (open air); 12 Lola, Les Barbares; 13 Parysatis, Botrioc�ephale, Andromaque, Le Roi Ap�epi, H�el�ene; 14 L'Anc�etre, La Foi
505	8		_a15 L'Assassinat du Duc de Guise, D�ejanire (opera), On ne badine pas avec l'amour16 Saint-Sa�ens the Dramatist; Bibliography; Discography; Index
588			_aDescription based on online resource; title from digital title page (viewed on September 06, 2019).
590			_aMaster record variable field(s) change: 050
600	1	0	_aSaint-Sa�ens, Camille, _d1835-1921 _xCriticism and interpretation. _910980
600	1	7	_aSaint-Sa�ens, Camille, _d1835-1921. _2fast _0(OCoLC)fst00014270 _910981
650		0	_aOpera _y19th century. _910982
650		0	_aDramatic music _y19th century _xHistory and criticism. _910983
650		7	_aMUSIC / Instruction & Study / Voice. _2bisacsh _96792
650		7	_aMUSIC / Lyrics. _2bisacsh _96793
650		7	_aMUSIC / Printed Music / Vocal. _2bisacsh _96794
650		7	_aDramatic music. _2fast _0(OCoLC)fst00897546 _910984
650		7	_aOpera. _2fast _0(OCoLC)fst01046145 _910985
648		7	_a1800-1899 _2fast
655		4	_aElectronic books. _93907
655		0	_aElectronic books. _93907
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 _95662
776	0	8	_iPrint version: _z9781108426381
830		0	_aCambridge studies in opera. _910986
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2026056
938			_aEBL - Ebook Library _bEBLB _nEBL5745422
938			_aYBP Library Services _bYANK _n16136663
938			_aEBSCOhost _bEBSC _n2026056
994			_a92 _bN$T
999			_c7014 _d7014