000 | 03008cam a2200493Ma 4500 | ||
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001 | on1103219921 | ||
003 | OCoLC | ||
005 | 20241121072742.0 | ||
006 | m d | ||
007 | cr cnu---unuuu | ||
008 | 190601s2019 enk o 000 0 eng d | ||
040 |
_aEBLCP _beng _cEBLCP _dOCLCO _dN$T |
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020 | _a1108575803 | ||
020 |
_a9781108575805 _q(electronic bk.) |
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035 |
_a2091082 _b(N$T) |
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035 | _a(OCoLC)1103219921 | ||
050 | 4 | _aML172 | |
072 | 7 |
_aMUS _x006000 _2bisacsh |
|
072 | 7 |
_aMUS _x033000 _2bisacsh |
|
082 | 0 | 4 |
_a780.9/031 _223 |
049 | _aMAIN | ||
100 | 1 |
_aHatter, Jane D., _eauthor. _911385 |
|
245 | 1 | 0 |
_aComposing community in late medieval music _h[electronic resource] : _bself-reference, pedagogy, and practice / _cJane D. Hatter. |
264 | 1 |
_aCambridge, United Kingdom ; _aNew York, NY, USA : _bCambridge University Press, _c2019. |
|
300 | _a1 online resource (302 p.). | ||
490 | 1 | _aMusic in context | |
500 | _aDescription based upon print version of record. | ||
505 | 0 | _aCover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Examples; List of Figures; List of Tables; Acknowledgments; Note to the Reader; Introduction; Part I Music about Musicians; 1 From Paintings about Painters to Music about Musicians; 2 Miserere supplicanti Du Fay: Building Community through Musical Devotions at Cambrai Cathedral; 3 Ora pro nobis: Forms of Self-Reference in Musical Prayers for Musicians; 4 Plorer, gemir, crier: Musical Mourning and the Composer; Part II Music about Music; 5 Paintings about Painting and Music about Music-Making | |
505 | 8 | _a6 Simple Lessons? Music Theory as Emblem of Composition7 Constructing the Composer: Symbolic Use of the Hexachord in Compositions c. 1500; 8 Conclusion; Sources and Sigla; Appendix A Music about Music and Musicians; Appendix B Sixteenth-Century Masses Based on the Hexachord; Bibliography; Index | |
520 | _aAn exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists. | ||
590 | _aMaster record variable field(s) change: 050, 072, 082, 650 | ||
650 | 0 |
_aMusic _y15th century _xHistory and criticism. _911386 |
|
650 | 0 |
_aMusic _y16th century _xHistory and criticism. _911387 |
|
650 | 0 |
_aMusicians _xSongs and music _xHistory and criticism. _911388 |
|
650 | 7 |
_aMUSIC / Genres & Styles / Classical. _2bisacsh _97210 |
|
650 | 7 |
_aMUSIC / Reference. _2bisacsh _97211 |
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655 | 4 |
_aElectronic books. _93907 |
|
776 | 0 | 8 |
_iPrint version: _aHatter, Jane D. _tComposing Community in Late Medieval Music : Self-Reference, Pedagogy, and Practice _dCambridge : Cambridge University Press,c2019 _z9781108474917 |
830 | 0 |
_aMusic in context. _911389 |
|
856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2091082 |
938 |
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938 |
_aEBSCOhost _bEBSC _n2091082 |
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999 |
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