000			03548cam a2200553Ii 4500
001			on1105988840
003			OCoLC
005			20241121072756.0
006			m d
007			cr cnu---unuuu
008			190628s2019 enk ob 001 0 eng d
040			_aN$T _beng _erda _epn _cN$T _dN$T
020			_a9781108759717 _q(electronic bk.)
020			_a1108759718 _q(electronic bk.)
020			_z9781108476133
020			_z1108476139
035			_a2144090 _b(N$T)
035			_a(OCoLC)1105988840
050		4	_aPR448.E46 _bM37 2019eb
082	0	4	_a820.9/353 _223
049			_aMAIN
100	1		_aMarsden, Jean I., _eauthor. _912104
245	1	0	_aTheatres of feeling : _baffect, performance, and the eighteenth-century stage / _cJean I. Marsden.
264		1	_aCambridge, United Kingdom ; _aNew York, NY : _bCambridge University Press, _c2019.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
520			_a"Historicizing affect provides an important register of cultural developments, and because of this link between theatre and culture, explorations of performance as well as affect have turned to the work of Raymond Williams, in particular to his discussion of 'structures of feelings,' as a means of approaching the complex operation of emotion and theatre. Williams's work has a strong affinity for eighteenth-century studies, and his discussion of what he famously termed 'structures of feeling' is admirably suited to a consideration of the overtly emotional world of eighteenth-century theatre. It is a slippery term, as Williams himself admits, and he suggests as an alternative structures of experience before rejecting that term because of its potential to imply past rather than present experience. These structures are, as Williams emphasizes, a process rather than an ideological system, growing out of lived experience, so that one of the crucial components of these structures of feeling is that they are immediate, situated in a specific moment"-- _cProvided by publisher.
504			_aIncludes bibliographical references and index.
505	0		_aDivine sympathy : theatre, connection, and virtue -- Dangerous pleasures : theatregoing in the eighteenth century -- Roman fathers and Grecian daughters : tragedy and the nation -- Performing the West Indies : comedy, feeling, and British identity -- The moral muse : comedy as social engineering.
588	0		_aOnline resource ; title from PDF title page (EBSCO ; viewed June 28, 2019)
590			_aAdded to collection customer.56279.3
650		0	_aEnglish drama _y18th century _xHistory and criticism. _912105
650		0	_aEmotions in literature. _912106
650		0	_aTheater _xPsychological aspects. _912107
650		0	_aTheater audiences _xPsychology. _912108
650		0	_aEmotions. _912109
650		7	_aEmotions. _2fast _0(OCoLC)fst00908819 _912109
650		7	_aEmotions in literature. _2fast _0(OCoLC)fst00908874 _912106
650		7	_aEnglish drama. _2fast _0(OCoLC)fst00910737 _912110
650		7	_aTheater audiences _xPsychology. _2fast _0(OCoLC)fst01149333 _912108
650		7	_aTheater _xPsychological aspects. _2fast _0(OCoLC)fst01149284 _912107
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 _95662
655		4	_aElectronic books. _93907
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2144090
938			_aEBSCOhost _bEBSC _n2144090
994			_a92 _bN$T
999			_c7170 _d7170