000 | 03129cam a2200601Ii 4500 | ||
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001 | on1164698803 | ||
003 | OCoLC | ||
005 | 20241121072843.0 | ||
006 | m d | ||
007 | cr cnu|||unuuu | ||
008 | 200713s2020 ne ob 001 0 eng d | ||
040 |
_aN$T _beng _erda _epn _cN$T _dN$T _dUKAHL _dJSTOR |
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020 |
_a9789048533985 _q(electronic bk.) |
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020 |
_a9048533988 _q(electronic bk.) |
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035 |
_a2521526 _b(N$T) |
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035 | _a(OCoLC)1164698803 | ||
037 |
_a22573/ctv15fdj83 _bJSTOR |
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041 | 1 |
_aeng _hger |
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050 | 4 | _aPN1995.9.P6 | |
072 | 7 |
_aART _x057000 _2bisacsh |
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072 | 7 |
_aPOL _x010000 _2bisacsh |
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072 | 7 |
_aPOL _x005000 _2bisacsh |
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_aSOC _x052000 _2bisacsh |
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082 | 0 | 4 |
_a791.43658 _223 |
049 | _aMAIN | ||
100 | 1 |
_aLie, Sulgi, _eauthor. _914588 |
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240 | 1 | 0 |
_aAu�enseite des Films. _lEnglish |
245 | 1 | 0 |
_aTowards a political aesthetics of cinema : _bthe outside of film / _cSulgi Lie ; translated by Daniel Fairfax. |
264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c[2020] |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aFilm culture in transition | |
504 | _aIncludes bibliographical references and index. | ||
520 | 8 | _aTowards a Political Aesthetics of Cinema: The Outside of Film' is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective film theoretical rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of ''suture''-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious. | |
588 | 0 | _aOnline resource; title from PDF title page (EBSCO, viewed July 15, 2020). | |
590 | _aMaster record variable field(s) change: 072 | ||
600 | 1 | 0 |
_aJameson, Fredric _xCriticism and interpretation. _914589 |
650 | 0 |
_aPolitics in motion pictures. _914373 |
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650 | 0 |
_aMotion pictures _xAesthetics. _910746 |
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650 | 0 |
_aMotion pictures _xPolitical aspects. _914590 |
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650 | 0 |
_aCommunist aesthetics. _93709 |
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650 | 0 |
_aCommunists in motion pictures. _914591 |
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650 | 7 |
_aART / Film & Video _2bisacsh _912284 |
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655 | 4 |
_aElectronic books. _93907 |
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700 | 1 |
_aFairfax, Daniel, _etranslator. _914592 |
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830 | 0 |
_aFilm culture in transition. _914593 |
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856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2521526 |
938 |
_aAskews and Holts Library Services _bASKH _nAH37585645 |
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938 |
_aEBSCOhost _bEBSC _n2521526 |
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999 |
_c7521 _d7521 |