000 | 03485cam a2200625Ki 4500 | ||
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001 | on1176322915 | ||
003 | OCoLC | ||
005 | 20241121072843.0 | ||
006 | m d | ||
007 | cr cnu---unuuu | ||
008 | 200721s2020 stka ob 001 0 eng d | ||
040 |
_aYDX _beng _erda _cYDX _dN$T _dEBLCP _dJSTOR _dOCLCF _dYDXIT _dCAMBR _dCOO |
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019 |
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020 |
_a9781474462792 _qelectronic book |
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020 |
_a1474462790 _qelectronic book |
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020 | _z1474462774 | ||
020 | _z9781474462778 | ||
035 |
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035 |
_a(OCoLC)1176322915 _z(OCoLC)1176479491 _z(OCoLC)1196231046 _z(OCoLC)1233030754 |
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037 |
_a22573/ctv14576v4 _bJSTOR |
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050 | 4 |
_aPN1995.9.D565 _bL37 2020 |
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082 | 0 | 4 |
_a791.43/6 _223 |
049 | _aMAIN | ||
100 | 1 |
_aLash, Dominic, _eauthor. _914607 |
|
245 | 1 | 4 |
_aThe cinema of disorientation : _binviting confusions / _cDominic Lash. |
264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2020] |
|
300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntro -- Title page -- Copyright -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Prospectus -- Part 1 Confusion as Fusion -- CHAPTER 1 Metalepsis in Film and Its Implications -- CHAPTER 2 Genres within Genres within Genres: Nested Narrative and Metalepsis -- CHAPTER 3 'Disappeared where it's real hard to disappear': Three Ways of Getting Lost in INLAND EMPI -- CHAPTER 4 Achieving Coherence: Diegesis and Death in Holy Motors -- Part 2 Disorientating Figures and Figures of Disorientation -- CHAPTER 5 Figuring (Out) Films: Figuration in Narrative Cinema | |
505 | 8 | _aCHAPTER 6 Distinguishing the Indistinguishable: Figures of Imperceptibility and Impossibility in Los -- CHAPTER 7 Homes for Displaced Figures: Pedro Costa's Colossal Youth -- CHAPTER 8 Sink or Swim: Immersing Ourselves in Jean-Luc Godard's Adieu au langage -- Conclusion: Method-Free Orientation -- Appendix -- Notes -- Bibliography -- Filmography -- Index. | |
520 | _aExamines disorientation and confusion, and their theoretical implications, in contemporary narrative film. | ||
588 | _aDescription based on online resource; title from digital title page (viewed on September 30, 2020). | ||
590 | _aMaster record variable field(s) change: 050, 082, 650 | ||
630 | 0 | 0 |
_aInland empire (Motion picture) _914608 |
630 | 0 | 0 |
_aHoly motors (Motion picture) _914609 |
630 | 0 | 0 |
_aColossal youth (Motion picture) _914610 |
630 | 0 | 0 |
_aGoodbye to language (Motion picture) _914611 |
650 | 0 |
_aPerplexity (Philosophy) _914612 |
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650 | 0 |
_aMotion pictures _xHistory. _914371 |
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650 | 7 |
_aMotion pictures. _2fast _0(OCoLC)fst01027285 _96872 |
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650 | 7 |
_aPerplexity (Philosophy) _2fast _0(OCoLC)fst01058348 _914612 |
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655 | 0 |
_aElectronic books. _93907 |
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655 | 4 |
_aElectronic books. _93907 |
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_aHistory. _2fast _0(OCoLC)fst01411628 _93689 |
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776 | 0 | 8 |
_iPrint version: _z1474462774 _z9781474462778 _w(OCoLC)1162988936 |
856 | 4 | 0 |
_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2528090 |
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_aProQuest Ebook Central _bEBLB _nEBL6265451 |
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