000 | 06716cam a2200721 i 4500 | ||
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001 | on1228639578 | ||
003 | OCoLC | ||
005 | 20241121072908.0 | ||
006 | m d | ||
007 | cr ||||||||||| | ||
008 | 210102s2021 enka ob 001 0 eng d | ||
040 |
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019 |
_a1228115791 _a1235965503 _a1245522779 _a1248759574 _a1249980162 _a1250648293 _a1259022565 _a1273960586 |
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020 | _a9781350158405 | ||
020 | _a1350158402 | ||
020 |
_a9781350158399 _q(electronic bk.) |
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020 |
_a1350158399 _q(electronic bk.) |
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020 | _z1350158380 | ||
020 | _z9781350158382 | ||
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_a9781350158412 _q(electronic bk.) |
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_a1350158410 _q(electronic bk.) |
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_a(OCoLC)1228639578 _z(OCoLC)1228115791 _z(OCoLC)1235965503 _z(OCoLC)1245522779 _z(OCoLC)1248759574 _z(OCoLC)1249980162 _z(OCoLC)1250648293 _z(OCoLC)1259022565 _z(OCoLC)1273960586 |
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050 | 4 |
_aRC1220.D35 _bS564 2021eb |
|
082 | 0 | 4 |
_a617.1/0275 _223 |
049 | _aMAIN | ||
245 | 0 | 4 |
_aThe Feldenkrais method in creative practice : _bdance, music and theatre / _cRobert Sholl. |
264 | 1 |
_aLondon : _bMethuen Drama, _c2021. |
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300 |
_a1 online resource (xv, 239 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
520 |
_a"Bringing together scholars and researchers in one volume, this study investigates how the thinking of the Ukrainian-Israeli somatic educationalist Moshe Feldenkrais (1904-84) can benefit and reflect upon the creative practices of dance, music and theatre. Since its inception, the Feldenkrais Method has been associated with artistic practice, growing contiguously with performance, cognitive and embodied practices in dance, music, and theatre studies. It promotes awareness of fine motor action for improved levels of action and skill, as well as healing for those who are injured. For creative artists, the Feldenkrais Method enables them to refine and improve their work. This book offers historical, scientific and practical perspectives that develop thinking at the heart of the Method and is divided into three sections: Historical Perspectives on Creative Practice , From Science into Creative Practice and Studies in Creative Practice . All the essays provide insights into self-improvement, training, avoiding injury, history and philosophy of artistic practice, links between scientific and artistic thinking and practical thinking, as well as offering some exercises for students and artistic practitioners looking to improve their understanding of their practice. Ultimately, this book offers a rich development of the legacy and the ongoing relevance of the Feldenkrais Method. We are shown how it is not just a way of thinking about somatic health, embodiment and awareness, but a vital enactivist epistemology for contemporary artistic thought and practice."-- _cProvided by publisher. |
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505 | 0 | _aForeword / Garet Newell -- Acknowledgements -- Introduction / Robert Sholl -- PART I. Historical Perspectives on Creative Practice. 1. Dancing the Soma-Ecstatic: Feldenkrais and the Modernist Body / Thomas Kampe -- 2. Feldenkrais, Freud, Lacan and Gould: How to Love Thyself for Thy Neighbour / Robert Sholl -- 3. Learning through Feeling: How the Ideas of Nikolai Bernstein and Moshe Feldenkrais Apply to Performer Training / Dick McCaw -- PART II. From Science into Creative Practice. 4. The Work of Dr Moshe Feldenkrais: A New Applied Kinesiology and a Radical Questioning of Training and Technique / Maxine Sheets-Johnstone | |
505 | 8 | _a5. Radical Practice: Practising Performance and Practising Oneself Is the Same Activity / Roger Russell -- 6. The Feldenkrais Method for Musicians: Addressing the Need for Objective Measurements / Jillian Beacon, Gilles Comeau and Donald Russell -- 7. Gaining Insight on the Impact of Feldenkrais Functional Integration in the Context of Piano Playing: Considerations for Measuring Posture and Movement Quality / Jillian Beacon, Gilles Comeau and Donald Russell -- Part I. The Feldenkrais Method and Pianists: A Pilot Study of Objective Measurement of Posture and Movement -- Part II. Discussion and Recommendations for Future Research | |
505 | 8 | _aPART III. Studies in Creative Practice. 8. Mapping Body Awareness onto Piano Performance for Artistic Rejuvenation / Alan Fraser -- 9. Building a Model for Injury Prevention in Music Pedagogy Rooted in Feldenkrais's Philosophy and Methodology for Learning / Lisa M. Burrell -- 10. A Sense of Safety: Polyvagal Theory, the Feldenkrais Method and the Acting Process / Victoria Worsley -- 11. Curing the Acting Habit: The Feldenkrais Method, Actors, Compulsion and the Performing Arts Industry / Mark Lacey -- 12. Tuning the Body: Acting, Dancing and Singing from Rehearsal to Performance / Marcia Carr -- 13. Food for No-Thought ... Meandering between a Personal Somatic Practice and Feldenkrais Teaching / Sylvie Fortin. | |
588 | _aDescription based upon print version of record. | ||
590 | _aOCLC control number change | ||
650 | 0 |
_aDance _xPhysiological aspects. _915939 |
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650 | 0 |
_aMusic _xPerformance _xPhysiological aspects. _915940 |
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650 | 0 |
_aActing _xPhysiological aspects. _913036 |
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650 | 0 |
_aFeldenkrais method. _915941 |
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650 | 7 |
_aTheatre direction & production. _2bicssc _96982 |
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650 | 7 |
_aActing _xPhysiological aspects. _2fast _0(OCoLC)fst00796156 _913036 |
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650 | 7 |
_aDance _xPhysiological aspects. _2fast _0(OCoLC)fst00887438 _915939 |
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650 | 7 |
_aFeldenkrais method. _2fast _0(OCoLC)fst00922544 _915941 |
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650 | 7 |
_aMusic _xPerformance _xPhysiological aspects. _2fast _0(OCoLC)fst01030402 _915940 |
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650 | 7 |
_aPerforming Arts _xDance _xGeneral. _2bisacsh _915942 |
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650 | 7 |
_aPerforming Arts _xTheater _xDirection & Production. _2bisacsh _914347 |
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655 | 0 |
_aElectronic books. _93907 |
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700 | 1 |
_aSholl, Robert, _eeditor. _915943 |
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776 | 0 | 8 |
_iPrint version: _tFeldenkrais method in creative practice. _dLondon : Methuen Drama, 2021 _z1350158380 _w(OCoLC)1159488699 |
856 | 4 | 0 |
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