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001 on1373830472
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005 20241121073056.0
006 m d
007 cr |n|||||||||
008 230328s2023 nyua ob 001 0 eng d
040 _aYDX
_beng
_cYDX
_dN$T
_dUKAHL
_dOCLCF
_dUPP
_dOCLCO
_dDEGRU
020 _a9781438492568
_q(electronic bk.)
020 _a1438492561
_q(electronic bk.)
020 _z9781438492544
020 _z1438492545
035 _a3406323
_b(N$T)
035 _a(OCoLC)1373830472
050 4 _aPL2419.L68
082 0 4 _a895.13/0850904
_223/eng/20220922
049 _aMAIN
100 1 _aInglis, Alister David,
_d1963-
_eauthor.
_921520
245 1 4 _aThe Chinese love story from the tenth to the fourteenth century
_h[electronic resource] /
_cAlister D. Inglis.
264 1 _aAlbany :
_bState University of New York Press,
_c[2023]
300 _a1 online resource.
490 0 _aSUNY series in Chinese philosophy and culture
505 0 0 _tFront Matter --
_tContents --
_tIllustrations --
_tAcknowledgments --
_tIntroduction --
_tThe Mid- and Late Tang Dynasty --
_tThe Northern Song Dynasty (960-1127) --
_tThe Southern Song Dynasty (1127-1279) --
_tThe Yuan Dynasty (1279-1368) --
_tConclusion --
_tNotes --
_tChinese Character Glossary --
_tWorks Cited --
_tIndex
520 _aLove stories formed a major part of the classical short story genre in China from as early as the eighth century, when men of letters began to write about romantic encounters. In later centuries, such stories provided inspiration for several new literary genres. While much scholarly attention has been focused on the short story of both the medieval and late imperial eras, comparatively little work has been attempted on the interim stage, the Song and Yuan dynasties, which spanned some five hundred years from the tenth to the fourteenth centuries. Yet this was a crucial developmental period for many forms of narrative literature--so much so that any understanding of late imperial narrative should be informed by the earlier tradition. The first study of its kind in English, The Chinese Love Story from the Tenth to the Fourteenth Century traces the development of the love story throughout this important yet overlooked era. Using Tang dynasty stories as a point of comparison, Alister D. Inglis examines and appraises key new themes, paying special attention to period hallmarks, gender portrayal, and textuality. Inglis demonstrates that, contrary to received scholarly wisdom, this was a highly innovative period during which writers and storytellers laid a fertile foundation for the literature of late imperial China.
590 _aAdded to collection customer.56279.3
650 0 _aRomance fiction, Chinese
_xHistory and criticism.
_921521
650 0 _aLove in literature.
_921522
650 0 _aChinese literature
_xHistory and criticism.
_915418
650 6 _aAmour dans la litt�erature.
_921523
650 6 _aLitt�erature chinoise
_xHistoire et critique.
_915420
650 7 _aLITERARY CRITICISM / Asian / Chinese.
_2bisacsh
_921524
650 7 _aChinese literature
_2fast
_96882
650 7 _aLove in literature
_2fast
_921522
650 7 _aRomance fiction, Chinese
_2fast
_921525
655 7 _aCriticism, interpretation, etc.
_2fast
_95662
776 0 8 _iPrint version:
_z9781438492544
_z1438492545
_w(DLC) 2022032830
_w(OCoLC)1345518439
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3406323
938 _aDe Gruyter
_bDEGR
_n9781438492568
938 _aAskews and Holts Library Services
_bASKH
_nAH41284737
938 _aYBP Library Services
_bYANK
_n304739853
938 _aEBSCOhost
_bEBSC
_n3406323
994 _a92
_bN$T
999 _c8558
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