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001 on1340411211
003 OCoLC
005 20241121073059.0
006 m d
007 cr unu---unuuu
008 220720s2023 lauac ob 001 0 eng
010 _a 2022032167
040 _aDLC
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019 _a1374119858
_a1380759340
020 _a9780807179635
_qelectronic book
020 _a0807179639
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020 _a9780807179642
_qelectronic book
020 _a0807179647
_qelectronic book
020 _z9780807179147
_qhardcover
035 _a3419784
_b(N$T)
035 _a(OCoLC)1340411211
_z(OCoLC)1374119858
_z(OCoLC)1380759340
037 _a16A070B4-66DD-42EC-BE09-84175E796B1B
_bOverDrive, Inc.
_nhttp://www.overdrive.com
042 _apcc
043 _an-us-wi
050 0 4 _aML3792.P35
_bB53 2023
082 0 0 _a338.7/617816430973
_223/eng/20220720
049 _aMAIN
100 1 _aBlackwood, Scott,
_eauthor.
_921660
245 1 4 _aThe rise and fall of Paramount Records :
_ba great migration story, 1917-1932 /
_cScott Blackwood.
264 1 _aBaton Rouge :
_bLouisiana State University Press,
_c[2023]
300 _a1 online resource (x, 199 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
336 _astill image
_bsti
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
520 _a"Founded in 1917, Paramount Records was but one of the home-grown record labels of the New York Recording Laboratories (NYRL), a subsidiary of a chair company in Wisconsin with operations near Lake Michigan. No outsized hopes were pinned to Paramount or its sister companies; its founders knew nothing of the music business, the records themselves were only to drive sales of expensive phonograph cabinets they had recently begun manufacturing. Lacking both the resources and the interest to compete for top talent, Paramount's earliest recordings were gained little foothold with the listening public. By 1922, on the threshold of bankruptcy, Paramount embarked on a new business plan that had recently proven successful for other record companies: selling the music of Black artists to Black audiences. Advertising in newspapers dedicated to Black readership and utilizing other strategies such as local talent scouts and sales agents in the South, unconventional distribution channels, an 'open door' recording policy, direct mail order and the eventual hiring of the first Black record executive in a white-owned record company, Paramount expanded its footprint and eventually garnered many of the biggest selling titles in the 'race records' era. By the time it ceased operations in 1932, NYRL had pressed and shipped hundreds of thousands of records, including more than 2,300 recordings of blues, gospel and jazz in its Paramount 'race' series alone, with a slate of performers including the likes of Louis Armstrong, Charley Patton, Ethel Waters, Son House, Fletcher Henderson, Skip James, Alberta Hunter, Blind Blake, King Oliver, Blind Lemon Jefferson, Ma Rainey, Johnny Dodds, Papa Charlie Jackson, and Jelly Roll Morton. In short, Paramount accidentally accomplished what others could not. On the one hand, Scott Blackwood's The Rise and Fall of Paramount is the story of happenstance. But it is also a tale about the sheer force of the Great Migration and the legacy of the music put down into the shellacked grooves of a 78 record: Black America finding its voice. It is the story the legacy of the Great Migration and how blues, jazz, and folk music transcended boundaries, and how this almost never happened. Blackwood brings to life these many moments-through creative nonfiction-and makes present and full-blooded what hadn't been brought to life before"--
_cProvided by publisher.
588 _aDescription based on online resource; title from digital title page (viewed on February 07, 2023).
505 0 _aPreface -- Introduction: Out of the Anonymous Dark -- I. 1917-1927 -- 1. The Great Migration -- 2. The Black Metropolis -- 3. A Brief History of the Phonograph -- 4. Who by Fire: The Rise of Paramount -- 5. Holy Fools of the Record Business -- 6. A Brief History of Black Minstrelsy -- 7. Rise of the Blues Women -- 8. Mayo Williams: Impresario, Confidence Man, Champion of the Race -- 9. How to Make a Race Record -- 10. Electrically Recorded -- 11. Rise of the Jazz Masters -- 12. Dying Lights of Vaudeville: Papa Charlie Jackson and Ma Rainey -- 13. Blind Lemon Jefferson -- 14. Blind Blake -- II. 1928-1932 -- 15. Ghost Voices -- 16. Last Kind Words -- 17. Frolic -- 18. The Discoverers -- 19. The Time of the Preacher: Rise of Sacred Voices -- 20. Ghost in the Machine: Clarence Williams and the Rise of Swing -- 21. Grafton Sessions: Ridiculous to the Sublime -- 22. Feeding Them on Babe's Milk: Skip James and the Other -- 23. River of Earth: Old-Time Music -- 24. The Sense of an Ending
590 _aAdded to collection customer.56279.3
610 2 0 _aParamount (Sound recording label)
_921661
610 2 0 _aNew York Recording Laboratories.
_921662
610 2 0 _aWisconsin Chair Company.
_921663
610 2 7 _aNew York Recording Laboratories
_2fast
_921662
610 2 7 _aParamount (Sound recording label)
_2fast
_921661
610 2 7 _aWisconsin Chair Company
_2fast
_921663
650 0 _aSound recording industry
_zWisconsin
_xHistory
_y20th century.
_921664
650 0 _aAfrican American sound recording executives and producers
_zWisconsin
_xHistory
_y20th century.
_921665
650 0 _aAfrican American musicians
_zWisconsin
_xHistory
_y20th century.
_921666
650 0 _aAfrican American singers
_zWisconsin
_xHistory
_y20th century.
_921667
650 6 _aEnregistrements sonores
_xIndustrie
_zWisconsin
_xHistoire
_y20e si�ecle.
_921668
650 6 _aMusiciens noirs am�ericains
_zWisconsin
_xHistoire
_y20e si�ecle.
_921669
650 6 _aChanteurs noirs am�ericains
_zWisconsin
_xHistoire
_y20e si�ecle.
_921670
650 7 _aSound recording industry
_2fast
_921671
651 7 _aWisconsin
_2fast
_921672
648 7 _a1900-1999
_2fast
655 0 _aElectronic books.
_93907
655 7 _aHistory
_2fast
_93689
776 0 8 _iPrint version:
_aBlackwood, Scott.
_tRise and fall of Paramount Records
_dBaton Rouge : Louisiana State University Press, 2023
_z9780807179147
_w(DLC) 2022032166
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3419784
938 _aProQuest Ebook Central
_bEBLB
_nEBL31323139
938 _aAskews and Holts Library Services
_bASKH
_nAH41213303
938 _aProQuest Ebook Central
_bEBLB
_nEBL7119514
938 _aProject MUSE
_bMUSE
_nmusev2_103628
938 _aEBSCOhost
_bEBSC
_n3419784
994 _a92
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999 _c8575
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