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008 221123s2023 lau ob 001 0 eng
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040 _aDLC
_beng
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019 _a1375295655
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035 _a3419787
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035 _a(OCoLC)1371284799
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043 _an-us---
050 0 4 _aPS310.C59
_bG37 2023
082 0 0 _a811/.509
_223/eng/20230227
049 _aMAIN
100 1 _aGargaillo, Florian,
_eauthor.
_921673
245 1 0 _aEcho and critique :
_bpoetry and the clich�es of public speech /
_cFlorian Gargaillo.
264 1 _aBaton Rouge :
_bLouisiana State University Press,
_c[2023]
300 _a1 online resource (187 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
520 _a"In Echo and Critique, Florian Gargaillo tells a new story about the ways that poets living in the United States apprehended the clich�es of public speech in the four decades following the start of World War II. During this period, many intellectuals lamented that public discourse had become saturated with abstract stock phrases such as "the fight for freedom," "revenue enhancement," or "service the target" that are bureaucratic in origin, designed for the mass media, and used to euphemize, obfuscate, and evade. As Gargaillo shows, poets responded to these political clich�es with a major yet little discussed method that he calls "echo and critique," whereby they would quote discrete stock phrases in their poems, and then use the structure, tone, rhythm, and imagery of the surrounding context to study their implications and weigh their effects. The goal was not simply to dismiss these phrases, but to better understand their effectiveness, recognize the values they promote, and identify the realities they might seek to distort or suppress. The book moves chronologically from 1939 to the end of the Vietnam War and shows the evolution of echo and critique across four formative decades. While charting the pervasiveness of this method following the start of World War II, Gargaillo also examines in depth the crisis of conscience that public clich�es generated for individual poets including W. H. Auden, Randall Jarrell, Langston Hughes, Claude McKay, Robert Lowell, Josephine Miles, and Seamus Heaney. A dynamic literary and cultural study of postwar American poetry, Echo and Critique reveals how poets challenged the language that those in power deploy to achieve political ends"--
_cProvided by publisher.
588 _aDescription based on online resource; title from digital title page (viewed on April 26, 2023).
505 0 _aIntroduction -- W. H. Auden on bureaucratese -- Randall Jarrell on war propaganda and the American soldier -- Langston Hughes on war propaganda and racial injustice -- Claude McKay on the political clich�es of the home front -- Robert Lowell on political speeches -- Josephine Miles on business talk -- Seamus Heaney on public talk -- Coda.
590 _aAdded to collection customer.56279.3
650 0 _aAmerican poetry
_y20th century
_xHistory and criticism.
_912804
650 0 _aClich�es in literature.
_921674
650 0 _aPolitics and literature
_zUnited States
_xHistory
_y20th century.
_921675
651 0 _aUnited States
_xIntellectual life
_y20th century.
_921676
650 6 _aPo�esie am�ericaine
_y20e si�ecle
_xHistoire et critique.
_912805
650 6 _aClich�es (Stylistique) dans la litt�erature.
_921677
650 6 _aPolitique et litt�erature
_z�Etats-Unis
_xHistoire
_y20e si�ecle.
_921678
651 6 _a�Etats-Unis
_xVie intellectuelle
_y20e si�ecle.
_921679
650 7 _aAmerican poetry
_2fast
_912807
650 7 _aClich�es in literature
_2fast
_921674
650 7 _aIntellectual life
_2fast
_96884
650 7 _aPolitics and literature
_2fast
_921680
651 7 _aUnited States
_2fast
648 7 _a1900-1999
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
_95662
655 7 _aHistory
_2fast
_93689
655 7 _aLiterary criticism
_2fast
_912482
655 7 _aLiterary criticism.
_2lcgft
_912482
655 7 _aCritiques litt�eraires.
_2rvmgf
_912483
776 0 8 _iPrint version:
_aGargaillo, Florian.
_tEcho and critique
_dBaton Rouge : Louisiana State University Press, [2023]
_z9780807179352
_w(DLC) 2022042821
856 4 0 _3EBSCOhost
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938 _aEBSCOhost
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938 _aAskews and Holts Library Services
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938 _aProject MUSE
_bMUSE
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938 _aProQuest Ebook Central
_bEBLB
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