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| 001 | on1198931732 | ||
| 003 | OCoLC | ||
| 005 | 20241121073233.0 | ||
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_a791.43025 _qOCoLC _223/eng/20230216 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aAlton, John, _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _926473 |
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| 245 | 1 | 0 |
_aPainting with Light / _cJohn Alton. |
| 250 | _aReprint 2020. | ||
| 264 | 1 |
_aBerkeley, CA : _bUniversity of California Press, _c[2020] |
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| 264 | 4 | _c�1995 | |
| 300 | _a1 online resource (248 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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_tFrontmatter -- _tCONTENTS -- _tFILM NOIR'S SORCERER OF LIGHT: JOHN ALTON -- _tPREFACE -- _tTHROUGH A LENS DARKLY: THE LIFE AND FILMS OF JOHN ALTON -- _tFILMOGRAPHY -- _tCHAPTER 1. HOLLYWOOD PHOTOGRAPHY -- _tCHAPTER 2. MOTION PICTURE ILLUMINATION -- _tCHAPTER 3. MYSTERY LIGHTING -- _tCHAPTER 4. SPECIAL ILLUMINATION -- _tCHAPTER 5. THE HOLLYWOOD CLOSE-UP -- _tCHAPTER 6. OUTDOOR PHOTOGRAPHY -- _tCHAPTER 7. SYMPHONY IN SNOW -- _tCHAPTER 8. OCEAN VOYAGE -- _tCHAPTER 9. VISUAL MUSIC -- _tCHAPTER 10. THE PORTRAIT STUDIO -- _tCHAPTER 11. THE LABORATORY -- _tCHAPTER 12. DAY AND NIGHT, LADIES, WATCH YOUR LIGHT -- _tCHAPTER 13. MOTION PICTURE THEATRES -- _tCHAPTER 14. THE WORLD IS A HUGE TELEVISION STUDIO AND WE ARE ALL PHOTOGRAPHERS |
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Okt 2020). | |
| 520 | _aFew cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivaled historical document on the workings of postwar American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography and the foreword, written expressly for this edition by award-winning cinematographer John Bailey, explores Alton's often contentious relationships with colleagues, the American Society of Cinematographers, and the movie industry itself. | ||
| 590 | _aAdded to collection customer.56279.3 | ||
| 600 | 1 | 0 |
_aAlton, John. _926473 |
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_aAlton, John _2fast _926473 |
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_aCinematography _xLighting. _926474 |
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_aCin�ema _x�Eclairage. _926475 |
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_aNON-CLASSIFIABLE. _2bisacsh _926476 |
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_aPERFORMING ARTS / Film / General _2bisacsh _926477 |
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_aCinematography _xLighting _2fast _926474 |
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| 700 | 1 |
_aBailey, John. _926478 |
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| 700 | 1 |
_aMcCarthy, Todd. _926479 |
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_iPrint version: _z9780520275843 |
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