000			05723cam a2200613Mu 4500
001			on1415895262
003			OCoLC
005			20241121073242.0
006			m d
007			cr cnu||||||||
008			240113s2022 xx o ||| 0 eng d
040			_aEBLCP _beng _cEBLCP _dP@U _dOCLCO _dYDX _dN$T
019			_a1415967869
020			_a1648431011
020			_a9781648431012 _q(electronic bk.)
020			_z9781648431005
020			_z1648431003
035			_a3773861 _b(N$T)
035			_a(OCoLC)1415895262 _z(OCoLC)1415967869
050		4	_aML429.G135
082	0	4	_a781.49/092 _aB _223/eng/20220405
049			_aMAIN
100	1		_aZimmerman, Lee. _926949
245	1	0	_aThirty Years Behind the Glass _h[electronic resource] : _bFrom Otis Redding and Stax Records to Santana's Supernatural.
260			_aCollege Station : _bTexas A&M University Press, _c2022.
300			_a1 online resource (212 p.)
500			_aDescription based upon print version of record.
505	0		_aCover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Memphis Is Burning! April 4, 1968 -- 2. Humble Beginnings: 1960-1968 -- 3. On the Tracks with Stax: 1960s -- 4. From Stax to TMI: 1968-1970 -- 5. San Francisco Beckons: 1970 -- 6. A Period of Proficiency: 1970 -- 7. Settled in Seattle: 1973-1974 -- 8. Sleepless in Seattle: 1974-1975 -- 9. Hightailing It Back to Heider's: 1975-1976 -- 10. Making Music with Miller: 1976-1978 -- 11. Arriving at the Automatt: 1979 -- 12. Return to Grants Pass: 1979-1980 -- 13. Back to the Bay: 1980-1981
505	8		_a14. Scoring with Santana: 1980 -- 15. Returning to the Record Plant: 1981-1982 -- 16. More Plant Pursuits: 1981-1982 -- 17. Getting the News: 1983 -- 18. The End of an Era and the Beginning of a New One: 1984 -- 19. A New Journey-with Journey: 1984-1985 -- 20. Here Come the Feds: 1985 -- 21. More Hits from Huey: 1986 -- 22. The ABCs of KBC: 1986 -- 23. A New Owner at the Record Plant: 1986 -- 24. Getting in the Groove with the Neville Brothers: 1987 -- 25. A Holler from Hornsby: 1988 -- 26. Working with Melissa Etheridge: 1988 -- 27. Dueling Doobies: 1988 -- 28. Farewell to Frisco: 1988
505	8		_a29. Stevie Ray Vaughan and Double Trouble: 1989 -- 30. A King Comes Calling: 1989 -- 31. Minding Time in Memphis: 1989 -- 32. Seeing the Sights in Europe: 1990 -- 33. A Great Dane: 1991 -- 34. Bonding with Blues Traveler, Grooving with Gales: 1991 -- 35. Collaborating with Collins: 1992 -- 36. El Tri, Triumphant: 1995-1997 -- 37. The Late and Great Luther Allison: 1994-1997 -- 38. Soaring with Santana: 1989-1999 -- 39. Santana Grabs Some Grammys: 1991-2000 -- 40. More Sizzle with Santana: Reviewing the 1990s -- 41. When Things Go Wrong: More Memories from the 1990s
505	8		_a42. Here Come the Blues-the Best of the Rest: 1989-Present -- 43. And Here We Are Today -- Epilogue -- A gallery of photographs follows page
520			_a"In a recording career spanning some fifty years, bridging a range in time and style that reaches from the early days at Memphis's Stax Records to Carlos Santana's eight-Grammy year in 2000 and beyond, producer Jim Gaines has operated the mixing board for some of the greatest artists in American music. Journey, Huey Lewis and the News, Steve Miller, Stevie Ray Vaughan, and Dionne Warwick are just a few of the influential musicians who have entrusted their creativity and talent to his proven abilities. With several Grammys and multiple platinum-selling albums to his credit, Jim Gaines still remembers the day-April 4, 1968-that Martin Luther King Jr. was shot. Hearing the sirens and seeing the smoke rising from the downtown Memphis skyline, Gaines remembers loading tapes from Stax studio that night into various employees' vehicles to be taken away for safekeeping until the unrest in the city subsided. Near the other end of his career, Gaines recalls receiving a phone call during a break in the session at Willie Nelson's studio near Austin, where he was recording demo tracks for the rising Texas group, Los Lonely Boys. The date was September 11, 2001. Once again, there would be no more recording completed that day. In this wide-ranging collection of personal interviews and reminiscences, Gaines, with the help of author Lee Zimmerman, offers readers the priceless opportunity to sit down with a true music industry veteran and hear a lifetime's worth of stories from inside the studio"-- _cProvided by publisher.
590			_aAdded to collection customer.56279.3
600	1	0	_aGaines, Jim. _926950
650		0	_aPopular music _xProduction and direction _zUnited States _xHistory _y20th century. _926951
650		0	_aSound recording executives and producers _zUnited States _vBiography. _926952
650		0	_aSound engineers _zUnited States _vBiography. _926953
650		6	_aIng�enieurs du son _z�Etats-Unis _vBiographies. _926954
650		7	_aSound recording executives and producers. _2fast _926955
650		7	_aSound engineers. _2fast _926956
651		7	_aUnited States. _2fast
655		7	_aHistory. _2fast _93689
655		7	_aBiographies. _2fast
655		7	_aBiographies. _2lcgft
655		7	_aBiographies. _2rvmgf
700	1		_aGaines, Jim. _926950
776	0	8	_iPrint version: _aZimmerman, Lee _tThirty Years Behind the Glass _dCollege Station : Texas A&M University Press,c2022 _z9781648431005
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3773861
938			_aProject MUSE _bMUSE _nmusev2_119341
938			_aProQuest Ebook Central _bEBLB _nEBL31029491
938			_aYBP Library Services _bYANK _n20643388
938			_aEBSCOhost _bEBSC _n3773861
994			_a92 _bN$T
999			_c9342 _d9342