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Black folklore and the politics of racial representation / Shirley Moody-Turner.

By: Material type: TextTextSeries: Margaret Walker Alexander series in African American studiesPublisher: Jackson : University Press of Mississippi, [2013]Description: 1 online resource (xi, 230 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781617038860
  • 1617038865
  • 9781621039785
  • 1621039781
  • 1617038857
  • 9781617038853
Subject(s): Genre/Form: Additional physical formats: Print version:: Black folklore and the politics of racial representation.DDC classification:
  • 398.2089/96073 23
LOC classification:
  • GR111.A47 M66 2013
Online resources:
Contents:
"By Custom and By Law" : Folklore and the Birth of Jim Crow -- From Hawai'i to Hampton : Samuel Armstrong and the Unlikely Origins of Folklore Studies at the Hampton Institute -- Recovering Folklore as a Site of Resistance : Anna Julia Cooper and the Hampton Folklore Society -- Uprooting the Folk : Paul Laurence Dunbar's Critique of the Folk Ideal -- "The Stolen Voice" : Charles Chesnutt, Whiteness, and the Politics of Folklore -- Conclusion.
Summary: Before the innovative work of Zora Neale Hurston, folklorists from the Hampton Institute collected, studied, and wrote about African American folklore. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. They often called into question the meaning of the very folklore projects in which they were engaged. The author analyzes this output, along with the contributions of a disparate group of African American authors and scholars. She explores how Black authors and folklorists were active participants - rather than passive observers - in conversations about the politics of representing Black folklore. Examining literary texts, folklore documents, and cultural performances, legal discourse, and political rhetoric, this book demonstrates how folklore studies became a battleground across which issues of racial identity and difference were asserted and debated at the turn of the twentieth century. The study is framed by two questions of historical and continuing import. What role have representations of Black folklore played in constructing racial identity? And, how have those ideas impacted the way African Americans think about and creatively engage black traditions? The author renders established historical facts in a new light and context, taking figures we thought we knew - such as Charles Chesnutt, Anna Julia Cooper, and Paul Laurence Dunbar - and recasting their place in African American intellectual and cultural history.--description provided by publisher.
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Includes bibliographical references and index.

"By Custom and By Law" : Folklore and the Birth of Jim Crow -- From Hawai'i to Hampton : Samuel Armstrong and the Unlikely Origins of Folklore Studies at the Hampton Institute -- Recovering Folklore as a Site of Resistance : Anna Julia Cooper and the Hampton Folklore Society -- Uprooting the Folk : Paul Laurence Dunbar's Critique of the Folk Ideal -- "The Stolen Voice" : Charles Chesnutt, Whiteness, and the Politics of Folklore -- Conclusion.

Before the innovative work of Zora Neale Hurston, folklorists from the Hampton Institute collected, studied, and wrote about African American folklore. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. They often called into question the meaning of the very folklore projects in which they were engaged. The author analyzes this output, along with the contributions of a disparate group of African American authors and scholars. She explores how Black authors and folklorists were active participants - rather than passive observers - in conversations about the politics of representing Black folklore. Examining literary texts, folklore documents, and cultural performances, legal discourse, and political rhetoric, this book demonstrates how folklore studies became a battleground across which issues of racial identity and difference were asserted and debated at the turn of the twentieth century. The study is framed by two questions of historical and continuing import. What role have representations of Black folklore played in constructing racial identity? And, how have those ideas impacted the way African Americans think about and creatively engage black traditions? The author renders established historical facts in a new light and context, taking figures we thought we knew - such as Charles Chesnutt, Anna Julia Cooper, and Paul Laurence Dunbar - and recasting their place in African American intellectual and cultural history.--description provided by publisher.

Online resource; title from digital title page (viewed on Nov. 1, 2013).

WorldCat record variable field(s) change: 650

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