MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03442cam a22003378i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
in00024325775 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
KeNaZET |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20260722074634.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
|---|
| fixed length control field |
t| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
250916s2026 nyu b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2025033693 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781041137283 |
| Qualifying information |
hardback |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781041137276 |
| Qualifying information |
paperback |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
9781003671220 |
| Qualifying information |
ebook |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
DLC-MRC |
| -- |
DLC |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
TR850 |
| Item number |
.L39 2026 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Lazar, Tal |
| Titles and other words associated with a name |
(Cinematographer) |
| Relator term |
author |
| Relator code |
aut |
| -- |
http://id.loc.gov/vocabulary/relators/aut |
| 9 (RLIN) |
28922 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Cinematography beyond technique : |
| Remainder of title |
a story-first approach to moving images / |
| Statement of responsibility, etc |
Tal Lazar. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
NewYork; |
| Name of publisher, distributor, etc |
Routledge, |
| Date of publication, distribution, etc |
c2026. |
| 263 ## - PROJECTED PUBLICATION DATE |
|---|
| Projected publication date |
2601 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xiv, 282 p. ; |
| Other physical details |
color ill.: |
| Dimensions |
22cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Visual language -- Breaking down the script -- Characters and perspective -- The visual strategy -- Introduction to lenses -- Selecting a lens -- The cinematic composition -- Expression with colour -- Movement and time -- The language of light -- Practical lighting -- The director and the cinematographer |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"This book opens a new door into visual storytelling by using a story-first method to reframe cinematography as a language, not just a technical craft. Readers will learn to think about images not only as products of gear and technique, but as carefully crafted expressions of narrative intent. The book begins not with lighting setups or lens choices, but with story: What is the emotional core of a scene? Does a high-angle shot serve the character? Does the lighting deepen the narrative? Focusing on the intent and expression of images, rather than the mechanics, readers learn how creative decisions like camera angle, movement, and lighting either support or obscure that story. Through accessible exercises and clear examples, the book teaches aspiring filmmakers how to interpret images and evaluate their effectiveness, asking Does the visual choice communicate what I intended? Could a different composition, perspective, or level of shadow alter the emotional response? In doing so, it helps readers grow as confident visual storytellers, regardless of their technical background. With an emphasis on intention over execution, this book provides a fresh and practical framework for those seeking to create images that are not only beautiful, but narratively effective. This book provides key reading for students of filmmaking and cinematography, as well as aspiring and early-career filmmakers, including directors, screenwriters, and producers, who may feel intimidated by the technical aspects of cinematography but need to make or guide visual decisions. An online instructor's manual provides additional support, making it easy for educators to incorporate the book and its exercises into their curriculum. The book is structured to be adaptable into a complete academic course, emphasizing hands-on practice and analysis regardless of the equipment students use"-- Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Cinematography |
| 9 (RLIN) |
12271 |
| 776 1# - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Display text |
Online version |
| Main entry heading |
Lazar, Tal |
| Title |
Cinematography beyond technique |
| Place, publisher, and date of publication |
London ; New York : Routledge, Taylor and Francis, 2026 |
| International Standard Book Number |
9781003671220 |
| Record control number |
(DLC) 2025033694 |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
|---|
| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Books |
| Call number prefix |
TR850 |
| Call number suffix |
.L39 2026 |
