Musical authorship from Sch�utz to Bach (Record no. 7119)
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000 -LEADER | |
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fixed length control field | 03333cam a2200481Ma 4500 |
001 - CONTROL NUMBER | |
control field | on1103219938 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20241121072750.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION | |
fixed length control field | m d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr cnu---unuuu |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 190601s2019 enk o 000 0 eng d |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | EBLCP |
Language of cataloging | eng |
Transcribing agency | EBLCP |
Modifying agency | OCLCO |
-- | N$T |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 1108372953 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781108372954 |
Qualifying information | (electronic bk.) |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | 2112070 |
-- | (N$T) |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1103219938 |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | ML430 |
072 #7 - SUBJECT CATEGORY CODE | |
Subject category code | MUS |
Subject category code subdivision | 041000 |
Source | bisacsh |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 781.30943/09032 |
Edition number | 23 |
049 ## - LOCAL HOLDINGS (OCLC) | |
Holding library | MAIN |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Rose, Stephen, |
Dates associated with a name | 1975- |
Relator term | author. |
9 (RLIN) | 11802 |
245 10 - TITLE STATEMENT | |
Title | Musical authorship from Sch�utz to Bach |
Medium | [electronic resource] / |
Statement of responsibility, etc | Stephen Rose. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc | Cambridge : |
Name of publisher, distributor, etc | Cambridge University Press, |
Date of publication, distribution, etc | 2019. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (262 p.). |
490 1# - SERIES STATEMENT | |
Series statement | Musical Performance and Reception |
500 ## - GENERAL NOTE | |
General note | Description based upon print version of record. |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Cover; Half-title; Series information; Title page; Copyright information; Dedication; Contents; List of Figures; Music Examples; Acknowledgements; Author's Note; List of Abbreviations; Introduction; Chapter 1 God, Talent, Craft: Concepts of Musical Creativity; Theological Concepts of Creativity; Humanist Notions of Authorship; The Artisanal View of Production; Debates about Invention; Epilogue; Chapter 2 Between Imitatio and Plagiarism; Imitatio and Authority; Emulation and Allusion; Plagiarism versus Honest Theft; Early Capitalism and Musical Borrowing; Epilogue |
505 8# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Chapter 3 Signs of IndividualityCapitalism and the Crisis of Authentication; Composers and Authentication Marks; Composer Portraits in Printed Music; Individuality and Compositional Style; Chapter 4 Rites of Musical Ownership; Common Good versus Princely Secrecy; Privileges as Princely Protection; Privileges versus Piracy; Musical Ownership in the Age of Manuscript; Chapter 5 The Regulation of Novelty; Social Discipline and Music; The 1580 Edict and Its Implementation; The Cantor as Composer; Choosing a New Cantor; Chapter 6 Authorship and Performance |
505 8# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Models for the Composer-Performer RelationshipComposition and Performance as Separate Spheres; The Composer as Ideal Performer; Authorial Intentions and Performance; Conclusion; Bibliography; Primary Sources; Manuscripts; Printed Primary Sources; Secondary sources; Modern editions of music; Index |
520 ## - SUMMARY, ETC. | |
Summary, etc | Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used. |
590 ## - LOCAL NOTE (RLIN) | |
Local note | Master record variable field(s) change: 050, 072, 082, 650 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Composition (Music) |
General subdivision | History |
Chronological subdivision | 17th century. |
9 (RLIN) | 11803 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Composition (Music) |
General subdivision | History |
Chronological subdivision | 18th century. |
9 (RLIN) | 11804 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Authorship. |
9 (RLIN) | 2404 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | MUSIC / Instruction & Study / Theory. |
Source of heading or term | bisacsh |
9 (RLIN) | 10162 |
655 #4 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Electronic books. |
9 (RLIN) | 3907 |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Display text | Print version: |
Main entry heading | Rose, Stephen |
Title | Musical Authorship from Sch�utz to Bach |
Place, publisher, and date of publication | Cambridge : Cambridge University Press,c2019 |
International Standard Book Number | 9781108421072 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
Uniform title | Musical performance and reception. |
9 (RLIN) | 11805 |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Materials specified | EBSCOhost |
Uniform Resource Identifier | <a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2112070">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2112070</a> |
938 ## - | |
-- | EBL - Ebook Library |
-- | EBLB |
-- | EBL5780805 |
938 ## - | |
-- | EBSCOhost |
-- | EBSC |
-- | 2112070 |
994 ## - | |
-- | 92 |
-- | N$T |
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