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Musical authorship from Sch�utz to Bach (Record no. 7119)

MARC details
000 -LEADER
fixed length control field 03333cam a2200481Ma 4500
001 - CONTROL NUMBER
control field on1103219938
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241121072750.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION
fixed length control field m d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu---unuuu
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190601s2019 enk o 000 0 eng d
040 ## - CATALOGING SOURCE
Original cataloging agency EBLCP
Language of cataloging eng
Transcribing agency EBLCP
Modifying agency OCLCO
-- N$T
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1108372953
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781108372954
Qualifying information (electronic bk.)
035 ## - SYSTEM CONTROL NUMBER
System control number 2112070
-- (N$T)
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1103219938
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML430
072 #7 - SUBJECT CATEGORY CODE
Subject category code MUS
Subject category code subdivision 041000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 781.30943/09032
Edition number 23
049 ## - LOCAL HOLDINGS (OCLC)
Holding library MAIN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Rose, Stephen,
Dates associated with a name 1975-
Relator term author.
9 (RLIN) 11802
245 10 - TITLE STATEMENT
Title Musical authorship from Sch�utz to Bach
Medium [electronic resource] /
Statement of responsibility, etc Stephen Rose.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Cambridge :
Name of publisher, distributor, etc Cambridge University Press,
Date of publication, distribution, etc 2019.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (262 p.).
490 1# - SERIES STATEMENT
Series statement Musical Performance and Reception
500 ## - GENERAL NOTE
General note Description based upon print version of record.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover; Half-title; Series information; Title page; Copyright information; Dedication; Contents; List of Figures; Music Examples; Acknowledgements; Author's Note; List of Abbreviations; Introduction; Chapter 1 God, Talent, Craft: Concepts of Musical Creativity; Theological Concepts of Creativity; Humanist Notions of Authorship; The Artisanal View of Production; Debates about Invention; Epilogue; Chapter 2 Between Imitatio and Plagiarism; Imitatio and Authority; Emulation and Allusion; Plagiarism versus Honest Theft; Early Capitalism and Musical Borrowing; Epilogue
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Chapter 3 Signs of IndividualityCapitalism and the Crisis of Authentication; Composers and Authentication Marks; Composer Portraits in Printed Music; Individuality and Compositional Style; Chapter 4 Rites of Musical Ownership; Common Good versus Princely Secrecy; Privileges as Princely Protection; Privileges versus Piracy; Musical Ownership in the Age of Manuscript; Chapter 5 The Regulation of Novelty; Social Discipline and Music; The 1580 Edict and Its Implementation; The Cantor as Composer; Choosing a New Cantor; Chapter 6 Authorship and Performance
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Models for the Composer-Performer RelationshipComposition and Performance as Separate Spheres; The Composer as Ideal Performer; Authorial Intentions and Performance; Conclusion; Bibliography; Primary Sources; Manuscripts; Printed Primary Sources; Secondary sources; Modern editions of music; Index
520 ## - SUMMARY, ETC.
Summary, etc Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.
590 ## - LOCAL NOTE (RLIN)
Local note Master record variable field(s) change: 050, 072, 082, 650
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Composition (Music)
General subdivision History
Chronological subdivision 17th century.
9 (RLIN) 11803
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Composition (Music)
General subdivision History
Chronological subdivision 18th century.
9 (RLIN) 11804
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Authorship.
9 (RLIN) 2404
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element MUSIC / Instruction & Study / Theory.
Source of heading or term bisacsh
9 (RLIN) 10162
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
9 (RLIN) 3907
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Print version:
Main entry heading Rose, Stephen
Title Musical Authorship from Sch�utz to Bach
Place, publisher, and date of publication Cambridge : Cambridge University Press,c2019
International Standard Book Number 9781108421072
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Musical performance and reception.
9 (RLIN) 11805
856 40 - ELECTRONIC LOCATION AND ACCESS
Materials specified EBSCOhost
Uniform Resource Identifier <a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2112070">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2112070</a>
938 ## -
-- EBL - Ebook Library
-- EBLB
-- EBL5780805
938 ## -
-- EBSCOhost
-- EBSC
-- 2112070
994 ## -
-- 92
-- N$T

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