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Working with actors : Meisner Technique for directors and actors / by Stephen Bayly.

By: Material type: TextPublication details: London: Bloomsberry publishing, c2024.Description: vi, 226 p.: ill.; 24 cmISBN:
  • 9781350295285
Subject(s): DDC classification:
  • 792.02/8 23/eng/20231120
LOC classification:
  • PN2071.A27 .B39 2024
Contents:
Introduction -- Simple technique perfectly -- Fear -- Working 'With' -- Acting is doing -- Listening -- Beyond language -- The Pinch and the Ouch -- Imaginary circumstances -- Who's that knocking? -- Mad, Sad, Glad -- No such thing as a monologue -- Taking it Personally -- It's just an illusion -- In search of the character -- A director prepares -- Mapping out rehearsals -- Taking sides -- Launching the cance -- The Nitty-Gritty -- It's 'As-if' -- Digging deeper -- Striving for the summit -- The real world -- What's love got to do with it? -- Psychophysiological mechanisms -- Bits not Beats -- Indicating -- Liquified trouble -- Cast the Actor not the character -- Unblocking the writer -- Everyone can act -- Faking it -- The case against actioning -- Subtext -- Silence is golden -- Clips -- More than meets the eye -- The case for realism
Summary: Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them. It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context.
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Holdings
Item type Current library Collection Call number Copy number Status Barcode
Books Zetech Library - Ruiru Campus General Stacks Non-fiction PN2071.A27 .B39 2024 (Browse shelf(Opens below)) C1 Available Z013562
Books Zetech Library - Ruiru Campus General Stacks Non-fiction PN2071.A27 .B39 2024 (Browse shelf(Opens below)) C.2 Available Z013563

Includes bibliographical references and indexes.

Introduction -- Simple technique perfectly -- Fear -- Working 'With' -- Acting is doing -- Listening -- Beyond language -- The Pinch and the Ouch -- Imaginary circumstances -- Who's that knocking? -- Mad, Sad, Glad -- No such thing as a monologue -- Taking it Personally -- It's just an illusion -- In search of the character -- A director prepares -- Mapping out rehearsals -- Taking sides -- Launching the cance -- The Nitty-Gritty -- It's 'As-if' -- Digging deeper -- Striving for the summit -- The real world -- What's love got to do with it? -- Psychophysiological mechanisms -- Bits not Beats -- Indicating -- Liquified trouble -- Cast the Actor not the character -- Unblocking the writer -- Everyone can act -- Faking it -- The case against actioning -- Subtext -- Silence is golden -- Clips -- More than meets the eye -- The case for realism

Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them. It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context.

Tertiary/Undergraduate.

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