TY  - BOOK
AU  - Lu,Sheldon H.
TI  - Contemporary chinese cinema and visual culture: Envisioning the Nation 
T2  - Global East-Asian screen cultures
SN  - 9781350234215
AV  - N7345 .L82 2021
U1  - 709.51 23
PY  - 2021///
CY  - London, New York
PB  - Bloomsbury Publishing
KW  - Olympic Games
KW  - (29th
KW  - 2008
KW  - Beijing, China)
KW  - fast
KW  - Art, Chinese
KW  - 20th century
KW  - Themes, motives
KW  - Art and society
KW  - China
KW  - History
KW  - 21st century
KW  - Art
KW  - Political aspects
KW  - Economic aspects
KW  - Motion pictures
KW  - Hong Kong
KW  - Taiwan
KW  - Sex role in art
KW  - Sex workers
KW  - Olympics in art
KW  - Public art
KW  - Beijing
KW  - Film & Media
KW  - World Cinema (Film & Media)
KW  - Asian Film and Media (Asia Studies)
KW  - Asian Art History and Visual Culture (Asia Studies)
KW  - Films, cinema
KW  - bicssc
KW  - Electronic books
N1  - Includes bibliographical references and index; Introduction: Refashioning the Nation in Transnational Cinema and Art -- Part 1: Nationhood, Gender, Sexuality, Masculinity in Feature Film -- 1.Projecting the Chinese Nation on Domestic and Global Screens -- 2. Space, Mobility, Modernity: The Female Prostitute in Chinese-language Film -- 3. Re-orientations of Hong Kong Cinema and Transformations of Masculinity -- 4. Masculinity in Crisis: Male Characters in Jia Zhangke's Films -- Part 2. Multimedia Engagements with the Local, National, and Global -- 5. Peripheral, Underground, and Independent Cinema -- 6. Performing and Romancing the Other in Film, Television Drama, and Ballet -- 7. Reshaping Beijing's Space: Architecture, Art, Photography, Film -- 8. Artistic and Multimedia Interventions -- Conclusion: Globalization at Bay Filmography -- Bibliography -- Index
N2  - "Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism. At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive body politic with mechanisms of control and surveillance. He explores the interrelations of the local, the national, the subnational, and the global as China repositions itself in the world. Lu considers examples from feature and documentary film, mainstream and marginal cinema, and a variety of visual arts: photography, painting, digital video, architecture, and installation. His close case studies include representations of class, masculinity and sexuality in contemporary Taiwanese and Chinese cinema; the figure of the sex worker as a symbol of modernity and mobility; and artists' representations of Beijing at the time of the 2008 Olympics."--
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2957967
ER  -