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What nostalgia was : war, empire, and the time of a deadly emotion / Thomas Dodman.

By: Material type: TextTextSeries: Chicago studies in practices of meaningPublisher: Chicago ; London : The University of Chicago Press, 2018Copyright date: �2018Description: 1 online resource (xi, 275 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780226493138
  • 022649313X
Subject(s): Genre/Form: Additional physical formats: Print version:: What nostalgia was.DDC classification:
  • 302/.1 23
LOC classification:
  • BF575.N6 D63 2017eb
Online resources:
Contents:
Introduction: nostalgia as a historical problem -- Nostalgia in 1688 -- The reasons of a passion -- The lost pays of the patrie -- Mothers and sons in the time of Napoleonic war -- Golden age -- Nostalgia in the tropics -- Ubi bene, ibi patria: nostalgia fin de si�ecle.
Summary: Nostalgia today is seen as essentially benign, a wistful longing for the past. This wasn't always the case, however: from the late seventeenth century through the end of the nineteenth, nostalgia denoted a form of homesickness so extreme that it could sometimes be deadly. What Nostalgia Was unearths that history. Thomas Dodman begins his story in Basel, where a nineteen-year-old medical student invented the new diagnosis, modeled on prevailing notions of melancholy. From there, he traces its spread through the European republic of letters and into Napoleon's armies, as French soldiers far from home were diagnosed and treated for the disease. Nostalgia then gradually transformed from a medical term to a more expansive cultural concept, one that connected to Romantic notions of the aesthetic pleasure of suffering. But the decisive shift towards a benign emotion occurred in the colonies, where Frenchmen worried about excessive creolization came to view a moderate homesickness as salutary. An afterword reflects on how the history of nostalgia can help us understand the transformations of the modern world, rounding out a surprising, fascinating tour through the history of a durable idea.
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Nostalgia today is seen as essentially benign, a wistful longing for the past. This wasn't always the case, however: from the late seventeenth century through the end of the nineteenth, nostalgia denoted a form of homesickness so extreme that it could sometimes be deadly. What Nostalgia Was unearths that history. Thomas Dodman begins his story in Basel, where a nineteen-year-old medical student invented the new diagnosis, modeled on prevailing notions of melancholy. From there, he traces its spread through the European republic of letters and into Napoleon's armies, as French soldiers far from home were diagnosed and treated for the disease. Nostalgia then gradually transformed from a medical term to a more expansive cultural concept, one that connected to Romantic notions of the aesthetic pleasure of suffering. But the decisive shift towards a benign emotion occurred in the colonies, where Frenchmen worried about excessive creolization came to view a moderate homesickness as salutary. An afterword reflects on how the history of nostalgia can help us understand the transformations of the modern world, rounding out a surprising, fascinating tour through the history of a durable idea.

Includes bibliographical references and index.

Introduction: nostalgia as a historical problem -- Nostalgia in 1688 -- The reasons of a passion -- The lost pays of the patrie -- Mothers and sons in the time of Napoleonic war -- Golden age -- Nostalgia in the tropics -- Ubi bene, ibi patria: nostalgia fin de si�ecle.

Print version record.

Added to collection customer.56279.3

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