000			03026cam a2200349 i 4500
001			24204864
003			DLC
005			20260722074516.0
007			t|
008			250515s2026 enk b 001 0 eng
010			_a 2025022686
020			_a9781041043515 _qhardback
020			_a9781041043508 _qpaperback
020			_z9781003627968 _qebook
035			_a(DLC)24204864
040			_aDLC _beng _erda _cDLC _dDLC-MRC _dDLC _dDLC-MRC _dDLC _dDLC-MRC _dDLC _dDLC-MRC
042			_apcc
050	0	0	_aTR850 _b.H45 2026
082	0	0	_a777 _223/eng/20250827
100	1		_aHeinänen, Timo _eauthor _4aut _4http://id.loc.gov/vocabulary/relators/aut _928927
245	1	4	_aThe cinematographer's canvas : _baspect ratios and framing the film / _cTimo Heinänen.
260			_aLondon: _bRoutledge, _cc2026.
300			_a156p.: _bills.; _c25 cm.
504			_aIncludes bibliographical references and index.
505			_aIntroduction and background -- Selecting the tooln-- On expectancy and genres -- Pre-production and working with the director -- The modes of activity in the selection process -- The act of framing: Emotions, Intuition, and rules -- On the centre, balance, and void -- Final observations.
520			_a"This is a groundbreaking book that sheds light on the roles of cinematographers in terms of using aspect ratios and framing in films. This book offers a fresh look on the processes associated with the creative side of filmmaking and the use of cinematic space. Based on the author's own experience the book offers an insightful discussion between cinematographers based on questionnaires, interviews and correspondence with professional cinematographers and film students alike. It describes the different modes of activity such as pre production, collaboration and working with directors, the processes behind selecting an aspect ratio, and genres and expectancy. The chapters also focus on compositional elements, the concept of centre, balance and negative space. They look behind the act of framing, revealing what impact these visual frameworks have on the work of cinematographers and the overall storytelling experience. Readers will gain a deeper understanding of the artistic and technical decisions the cinematographers make, how these decisions impact their work, and their creativity in the visual narrative. This book will make ideal reading for students and practitioners of filmmaking, cinematography, composition and framing, and for anyone interested in film, creative processes and visual storytelling"-- Provided by publisher.
650		0	_aCinematography _912271
776	1		_iOnline version _aHeinänen, Timo _tThe cinematographer's canvas _dAbingdon, Oxon; New York, NY: Routledge, 2026 _w(DLC)2025022687 _z9781003627968 _z9781041043515 _z9781041043508 _w24204864
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBK _kTR850 _m.H45 2026 _hTR850 _i.H45 2026
999			_c10091 _d10091