| 000 | 02569cam a2200337 i 4500 | ||
|---|---|---|---|
| 001 | 23395899 | ||
| 003 | KeNaZET | ||
| 005 | 20260720115412.0 | ||
| 008 | 231127s2024 nyua b 001 0 eng | ||
| 010 | _a 2023049233 | ||
| 020 |
_a9798765107263 _q(hardback) |
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| 020 |
_a9798765107270 _q(paperback) |
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| 020 |
_z9798765107287 _q(ebook) |
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| 020 |
_z9798765107294 _q(pdf) |
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| 035 | _a23395899 | ||
| 040 |
_aDLC _beng _erda _cKeNaZET _dDLC |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aPN1998.3 _b.A54 2024 |
| 100 | 1 |
_aAnger, Jiří _d1990- _eauthor. _929027 |
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| 245 | 1 | 0 |
_aTowards a film theory from below: _barchival film and the aesthetics of the crack-up/ _cby Jiří Anger. |
| 260 |
_aNew York: _bBloomsbury Academic, _cc2024. |
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| 300 |
_ax, 216 p.: _bills.; _c23 cm. |
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| 490 | 0 |
_aThinking media ; _v[21] |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | _aWhat is film theory from below? -- Keep that image burning : The color veil and the cinema that never stops ending -- Do archivists dream of electric horses?Static electricity and the quadruple logic of indexicality -- Trembling meaning : Camera instability and transduction in archival moving images -- The milestone that never happened : The scratched kiss and the failed beginning of Czech cinema -- Touching the film object with surgical gloves : Frankensteinian frames and the fragile malleability of cinematic faces -- Shaping the unshapeable?Videographic deformation and the first frames of czech cinema. | ||
| 520 | _a"This book explores the weird shapes that emerge when material elements interact with figurative content of the moving image. Employing the digitized first Czech films by Jan Kríženecký prompted the questions: is it possible to do film theory from below, from the perspective of a film object? Could we treat accidents in moving images as full-fledged actors with distinctive aesthetic forms and functions? In these films, analog elements impinge upon the form and content of the moving images to create generative figures and shapes. Using digital technology, we can isolate these features and experiment with how they can be reimagined"-- | ||
| 776 | 0 | 8 |
_iOnline version: _aAnger, Jiří, 1990- _tTowards a film theory from below _dNew York : Bloomsbury Academic, 2024 _z9798765107287 _w(DLC) 2023049234 |
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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_2lcc _cBK _hPN1998.3 _i.A54 2024 _kPN1998.3 _m.A54 2024 |
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| 999 |
_c10135 _d10135 |
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