| 000 | 03428cam a2200421 i 4500 | ||
|---|---|---|---|
| 001 | 20380356 | ||
| 003 | KeNaZET | ||
| 005 | 20260720141704.0 | ||
| 008 | 171030s2018 nyua b 001 0 eng c | ||
| 010 | _a 2017044623 | ||
| 020 |
_a9780190867133 _q(cloth : _qalk. paper) |
||
| 020 |
_a9780190867140 _q(pbk. : _qalk. paper) |
||
| 020 |
_z9780190867171 _q(Oxford scholarship online) |
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| 020 |
_z9780190867157 _q(updf) |
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| 020 |
_z9780190867164 _q(epub) |
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| 035 | _a20380356 | ||
| 040 |
_aLBSOR/DLC _beng _cLBSOR _erda _dDLC |
||
| 042 | _apcc | ||
| 050 | 0 | 0 |
_aPN1995.5 _b.P53 2018 |
| 082 | 0 | 0 |
_a791.43/653 _223 |
| 100 | 1 |
_aPlantinga, Carl _eauthor. _929035 |
|
| 245 | 1 | 0 |
_aScreen stories : _bemotion and the ethics of engagement / _cCarl Plantinga. |
| 260 |
_aUSA: _bOxford University Press, _cc2018. |
||
| 300 |
_axii, 311 p.: _bills.; _c24 cm. |
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| 504 | _aIncludes bibliographical references (pages 279-291) and index. | ||
| 505 | 0 | _aThe Power of Screen Stories -- The Rhetoric of Screen Stories -- Transfer and Cultivation -- Caveats and Complications -- Engagement and Estrangement -- Immersion and Emotion -- Moralities and Characters as Moral Agents -- The Personal and the Political -- Mood and Ethics -- Ethics and Character Engagement -- Narrative Structure: Closure and Frame Shifters -- Narrative Paradigm Scenarios: Revenge and the Other. | |
| 520 | 0 | _a"The way we communicate with each other is vital to preserving the cultural ecology, or wellbeing, of a place and time. Do we listen to each other? Do we ask the right questions? Do we speak about each other with respect or disdain? The stories that we convey on screens, or what author Carl Plantinga calls 'screen stories,' are one powerful and pervasive means by which we communicate with each other. Screen Stories: Emotion and the Ethics of Engagement argues that film and media studies needs to move toward an an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens. Primarily concerned with the relationship between media and viewers, this book considers ethical criticism and the emotional power of screen stories that makes such criticism necessary. The content we consume-- from television shows and movies to advertisements-- can significantly affect our welfare on a personal and societal level, and thus, this content is subject to praise and celebration, or questioning and even condemnation. The types of screen stories that circulate contribute to the cultural ecology of a time and place; through shared attention they influence what individuals think and feel. Plantinga develops a theory of the power of screen stories to affect both individuals and cultures, asserting that we can better respond ethically to such media if we understand the sources of its influence on us" -- | |
| 650 | 0 |
_aMotion pictures _xMoral and ethical aspects. _913591 |
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| 650 | 0 |
_aCulture in motion pictures. _929036 |
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| 650 | 0 |
_aMotion picture audiences _xPsychology. _929037 |
|
| 650 | 0 |
_aMass media _xMoral and ethical aspects. _929038 |
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| 650 | 0 |
_aMass media and culture. _9159 |
|
| 650 | 0 |
_aMass media _xAudiences _xPsychology. _929039 |
|
| 650 | 0 |
_aCriticism _xMoral and ethical aspects. _929040 |
|
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBK _hPN1995.5 _i.P53 2018 _kPN1995.5 _m.P53 2018 |
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| 999 |
_c10142 _d10142 |
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