000 06652cam a2201009Ki 4500
001 on1246132877
003 OCoLC
005 20241121072933.0
006 m d
007 cr cnu---unuuu
008 210412t20212021enk ob 101 0 eng d
040 _aBLOOM
_beng
_erda
_cBLOOM
_dOCLCO
_dOCLCF
_dEBLCP
_dYDX
_dYDXIT
_dN$T
019 _a1261306488
020 _a9781350234215
_qelectronic book
020 _a1350234214
_qelectronic book
020 _a1350234192
_qelectronic publication
020 _a9781350234208
_qelectronic book
020 _a1350234206
_qelectronic book
020 _a9781350234192
_q(electronic bk.)
020 _z9781350234185
_qhardcover
020 _z9781350254381
_qpaperback
020 _z1350234184
024 7 _a10.5040/9781350234215
_2doi
035 _a2957967
_b(N$T)
035 _a(OCoLC)1246132877
_z(OCoLC)1261306488
043 _aa-cc---
_aa-cc-hk
_aa-ch---
_aa-cc-pe
050 4 _aN7345
_b.L82 2021
082 0 4 _a709.51
_223
049 _aMAIN
100 1 _aLu, Sheldon H.,
_eauthor.
_917235
245 1 0 _aContemporary chinese cinema and visual culture :
_bEnvisioning the Nation /
_cSheldon H. Lu.
264 1 _aLondon ;
_aNew York :
_bBloomsbury Publishing,
_c2021.
264 4 _c�2021
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 0 _aGlobal East-Asian screen cultures
504 _aIncludes bibliographical references and index.
505 0 _aIntroduction: Refashioning the Nation in Transnational Cinema and Art -- Part 1: Nationhood, Gender, Sexuality, Masculinity in Feature Film -- 1.Projecting the Chinese Nation on Domestic and Global Screens -- 2. Space, Mobility, Modernity: The Female Prostitute in Chinese-language Film -- 3. Re-orientations of Hong Kong Cinema and Transformations of Masculinity -- 4. Masculinity in Crisis: Male Characters in Jia Zhangke's Films -- Part 2. Multimedia Engagements with the Local, National, and Global -- 5. Peripheral, Underground, and Independent Cinema -- 6. Performing and Romancing the Other in Film, Television Drama, and Ballet -- 7. Reshaping Beijing's Space: Architecture, Art, Photography, Film -- 8. Artistic and Multimedia Interventions -- Conclusion: Globalization at Bay Filmography -- Bibliography -- Index.
520 _a"Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism. At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive body politic with mechanisms of control and surveillance. He explores the interrelations of the local, the national, the subnational, and the global as China repositions itself in the world. Lu considers examples from feature and documentary film, mainstream and marginal cinema, and a variety of visual arts: photography, painting, digital video, architecture, and installation. His close case studies include representations of class, masculinity and sexuality in contemporary Taiwanese and Chinese cinema; the figure of the sex worker as a symbol of modernity and mobility; and artists' representations of Beijing at the time of the 2008 Olympics."--
_cProvided by publisher.
532 0 _aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
588 _aDescription based on online resource; title from digital title page (viewed on August 03, 2021).
590 _aAdded to collection customer.56279.3
611 2 0 _aOlympic Games
_n(29th :
_d2008 :
_cBeijing, China)
_917236
611 2 7 _aOlympic Games.
_2fast
_0(OCoLC)fst01408249
_917237
650 0 _aArt, Chinese
_y20th century
_xThemes, motives.
_917238
650 0 _aArt and society
_zChina
_xHistory
_y20th century.
_917239
650 0 _aArt and society
_zChina
_xHistory
_y21st century.
_917240
650 0 _aArt
_xPolitical aspects
_zChina.
_917241
650 0 _aArt
_xEconomic aspects
_zChina.
_917242
650 0 _aMotion pictures
_xPolitical aspects
_zChina
_y20th century.
_917243
650 0 _aMotion pictures
_zChina
_zHong Kong
_xHistory
_y20th century.
_917244
650 0 _aMotion pictures
_zTaiwan
_xHistory
_y20th century.
_917245
650 0 _aSex role in art.
_917246
650 0 _aSex workers
_xThemes, motives.
_917247
650 0 _aOlympics in art.
_917248
650 0 _aPublic art
_zChina
_zBeijing.
_917249
650 4 _aFilm & Media.
_917250
650 4 _aWorld Cinema (Film & Media)
_917251
650 4 _aAsian Film and Media (Asia Studies)
_917252
650 4 _aAsian Art History and Visual Culture (Asia Studies)
_917253
650 7 _aFilms, cinema.
_2bicssc
_917254
650 7 _aArt and society.
_2fast
_0(OCoLC)fst00815432
_916334
650 7 _aArt, Chinese
_xThemes, motives.
_2fast
_0(OCoLC)fst00816118
_917255
650 7 _aArt
_xEconomic aspects.
_2fast
_0(OCoLC)fst00815231
_917256
650 7 _aArt
_xPolitical aspects.
_2fast
_0(OCoLC)fst00815309
_916304
650 7 _aMotion pictures.
_2fast
_0(OCoLC)fst01027285
_96872
650 7 _aMotion pictures
_xPolitical aspects.
_2fast
_0(OCoLC)fst01027353
_914590
650 7 _aOlympics in art.
_2fast
_0(OCoLC)fst01045614
_917248
650 7 _aPublic art.
_2fast
_0(OCoLC)fst01082064
_917257
650 7 _aSex role in art.
_2fast
_0(OCoLC)fst01114647
_917246
651 7 _aChina.
_2fast
_0(OCoLC)fst01206073
_95638
651 7 _aChina
_zBeijing.
_2fast
_0(OCoLC)fst01205740
_914291
651 7 _aChina
_zHong Kong.
_2fast
_0(OCoLC)fst01260796
_98021
651 7 _aTaiwan.
_2fast
_0(OCoLC)fst01207854
_917258
648 7 _a1900-2099
_2fast
_93793
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
_93689
655 4 _aElectronic books.
_93907
776 0 8 _iPrint version:
_z9781350234185
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2957967
938 _aProQuest Ebook Central
_bEBLB
_nEBL6648610
938 _aBloomsbury Publishing
_bBLOO
_n9781350234215
938 _aYBP Library Services
_bYANK
_n17551879
938 _aEBSCOhost
_bEBSC
_n2957967
994 _a92
_bN$T
999 _c7911
_d7911