000			03748cam a2200469Mu 4500
001			on1344539650
003			OCoLC
005			20241121073132.0
006			m d
007			cr |||||||||||
008			220924s2022 enk o ||| 0 eng d
040			_aEBLCP _beng _cEBLCP _dJSTOR _dOCLCF _dOCLCQ _dOCLCO _dOCLCL _dN$T
020			_a9781803272528 _q(electronic bk.)
020			_a180327252X _q(electronic bk.)
035			_a3568937 _b(N$T)
035			_a(OCoLC)1344539650
037			_a22573/ctv2wr5r39 _bJSTOR
050		4	_aGN799.P4
082	0	4	_a709.0133 _223/eng/20220927
049			_aMAIN
100	1		_aMazel, Aron. _923361
245	1	0	_aSignalling and Performance _h[electronic resource].
260			_aOxford : _bArchaeopress, _c2022.
300			_a1 online resource (344 p.)
500			_aDescription based upon print version of record.
520			_aThis lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.
520	8		_aSignalling and Performance: Ancient Rock Art in Britain and Ireland presents a state of the art survey of the ancient rock art of Britain and Ireland, bringing together new discoveries and new interpretations. Ancient rock art offers unique insights into the mindsets of its makers and the landscapes in which they lived. The making of rock art was not just an aesthetic practice, but an activity informed by deep social and cultural meanings held by its makers - meanings that they were compelled to express on rocks in Britain and Ireland, through mostly abstract images, for thousands of years. For a long time, ancient rock art remained a topic on the fringes of Archaeology. Since the 1960s, however, there has been sustained recording and research into ancient rock art. Increased publicity has evoked growing interest in British and Irish rock art, with professional and amateur archaeologists and the public, with the latter being responsible for many discoveries.0In 2007, Aron Mazel, George Nash and Clive Waddington published the first edited volume focusing on ancient British rock art, entitled Art as Metaphor. Since then, there have been a number of publications covering this topic. Building on the increased interest in rock art, this lavishly illustrated volume constructed of thirteen thought-provoking chapters and an Introduction will do much to further enhance of understanding of this fascinating and meaningful resource. It will further establish ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.
590			_aAdded to collection customer.56279.3
650		0	_aPetroglyphs _zGreat Britain. _923362
650		0	_aPetroglyphs _zIreland. _923363
650		6	_aP�etroglyphes _zGrande-Bretagne. _923364
650		6	_aP�etroglyphes _zIrlande. _923365
650		7	_aPetroglyphs _2fast _923366
651		7	_aGreat Britain _2fast _1https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP _96777
651		7	_aIreland _2fast _1https://id.oclc.org/worldcat/entity/E39PBJqvXDFC7pX6tHkq6DX68C _98015
700	1		_aNash, George. _923367
776	0	8	_iPrint version: _aMazel, Aron _tSignalling and Performance: Ancient Rock Art in Britain and Ireland _dOxford : Archaeopress,c2022
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3568937
938			_aProQuest Ebook Central _bEBLB _nEBL29920115
938			_aEBSCOhost _bEBSC _n3568937
994			_a92 _bN$T
999			_c8810 _d8810