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_a782.42164909764/1411 _223/eng/20221014 |
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_aWilkins, Langston Collin, _eauthor. _924076 |
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_aWelcome 2 Houston : _bhip hop heritage in Hustle Town / _cLangston Collin Wilkins. |
| 246 | 3 | _aWelcome to Houston | |
| 246 | 3 | 0 | _aHip hop heritage in Hustle Town |
| 264 | 1 |
_aUrbana : _bUniversity of Illinois Press, _c[2023] |
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| 300 |
_a1 online resource (viii, 180 pages) : _billustrations, map. |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aAfrican American music in global perspective | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIf You Go Down to Houston -- Everybody Inherits the Hood -- Still Tippin' -- Gotta Come Down, Gotta Rep the Hood -- Turnin' Headz -- One City under God. | |
| 520 |
_a"Langston Collin Wilkins returns to the city where he grew up to illuminate the complex relationship between place, identity, and music in Houston's hip hop culture. Interviews with local rap artists, producers, and managers inform an ethnography that explores how the interaction between artists, audiences, music, and place create a heritage that musicians negotiate in a variety of ways. Street-based musicians, avant-garde underground rappers, and Christian hip hop artists offer candid views of the scene while Wilkins delves into related aspects like slab, the area's hip hop-related car culture. What emerges is an incisive portrait of dynamic reciprocal process where an artist, having identified with and embodied a social space, reproduces that space in a performance even as the performance reconstructs the social space. A vivid journey through a southern hip hop bastion, Welcome 2 Houston offers an insider's look at a unique musical culture"-- _cProvided by publisher. |
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| 588 | _aDescription based on online resource; title from digital title page (viewed on July 28, 2023). | ||
| 650 | 0 |
_aRap (Music) _zTexas _zHouston _xHistory and criticism. _924077 |
|
| 650 | 0 |
_aHip-hop _zTexas _zHouston _xHistory. _924078 |
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| 650 | 0 |
_aAfrican Americans _zTexas _zHouston _xSocial life and customs. _924079 |
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| 650 | 0 |
_aAutomobiles _xCustomizing _zTexas _zHouston. _924080 |
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| 650 | 0 |
_aChopped and screwed (Music) _xHistory and criticism. _924081 |
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| 650 | 6 |
_aHip-hop _zTexas _zHouston _xHistoire. _924082 |
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| 650 | 6 |
_aNoirs am�ericains _zTexas _zHouston _xM�urs et coutumes. _924083 |
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| 650 | 6 |
_aAutomobiles _xAdaptation aux besoins _zTexas _zHouston. _924084 |
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_aMUSIC / General _2bisacsh _924085 |
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_aAfrican Americans _xSocial life and customs _2fast _924086 |
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_aAutomobiles _xCustomizing _2fast _924087 |
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_aChopped and screwed (Music) _2fast _924088 |
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_aHip-hop _2fast _924089 |
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_aRap (Music) _2fast _910290 |
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_aTexas _zHouston _2fast _924090 |
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_aCriticism, interpretation, etc. _2fast _95662 |
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_aHistory _2fast _93689 |
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_iPrint version: _aWilkins, Langston Collin. _tWelcome 2 Houston _dUrbana : University of Illinois Press, 2023 _z9780252045158 _w(DLC) 2022049648 |
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_aAfrican American music in global perspective. _924091 |
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