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Composing community in late medieval music [electronic resource] : self-reference, pedagogy, and practice / Jane D. Hatter.

By: Material type: TextTextSeries: Music in contextPublisher: Cambridge, United Kingdom ; New York, NY, USA : Cambridge University Press, 2019Description: 1 online resource (302 p.)ISBN:
  • 1108575803
  • 9781108575805
Subject(s): Genre/Form: Additional physical formats: Print version:: Composing Community in Late Medieval Music : Self-Reference, Pedagogy, and PracticeDDC classification:
  • 780.9/031 23
LOC classification:
  • ML172
Online resources:
Contents:
Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Examples; List of Figures; List of Tables; Acknowledgments; Note to the Reader; Introduction; Part I Music about Musicians; 1 From Paintings about Painters to Music about Musicians; 2 Miserere supplicanti Du Fay: Building Community through Musical Devotions at Cambrai Cathedral; 3 Ora pro nobis: Forms of Self-Reference in Musical Prayers for Musicians; 4 Plorer, gemir, crier: Musical Mourning and the Composer; Part II Music about Music; 5 Paintings about Painting and Music about Music-Making
6 Simple Lessons? Music Theory as Emblem of Composition7 Constructing the Composer: Symbolic Use of the Hexachord in Compositions c. 1500; 8 Conclusion; Sources and Sigla; Appendix A Music about Music and Musicians; Appendix B Sixteenth-Century Masses Based on the Hexachord; Bibliography; Index
Summary: An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
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Description based upon print version of record.

Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Examples; List of Figures; List of Tables; Acknowledgments; Note to the Reader; Introduction; Part I Music about Musicians; 1 From Paintings about Painters to Music about Musicians; 2 Miserere supplicanti Du Fay: Building Community through Musical Devotions at Cambrai Cathedral; 3 Ora pro nobis: Forms of Self-Reference in Musical Prayers for Musicians; 4 Plorer, gemir, crier: Musical Mourning and the Composer; Part II Music about Music; 5 Paintings about Painting and Music about Music-Making

6 Simple Lessons? Music Theory as Emblem of Composition7 Constructing the Composer: Symbolic Use of the Hexachord in Compositions c. 1500; 8 Conclusion; Sources and Sigla; Appendix A Music about Music and Musicians; Appendix B Sixteenth-Century Masses Based on the Hexachord; Bibliography; Index

An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.

Master record variable field(s) change: 050, 072, 082, 650

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